Between 1937 and 1938, during the Spanish Civil War, thousands of minors were evacuated by their own families from the Republican zone to the Soviet Union to prevent them from perishing in the indiscriminate bombings that the rebel army directed against the civilian population. Taking advantage of the 80th anniversary of this epic, a team went to Russia to record the testimonies of some of those “childrens of war.”
Between 1937 and 1938, during the Spanish Civil War, thousands of minors were evacuated by their own families from the Republican zone to the Soviet Union to prevent them from perishing in the indiscriminate bombings that the rebel army directed against the civilian population. Taking advantage of the 80th anniversary of this epic, a team went to Russia to record the testimonies of some of those “childrens of war.”
2018-01-01
0
The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in Paris to the Spanish Exiles and the victims of the Nazi extermination camp of Mauthausen. Our goal thereafter focused on collecting the greatest possible number of testimonies related to the history of Spanish anarcho-syndicalism. As part of the celebrations of 100 years of CNT we set up the project, the union decided to fund it and we set off . We travelled 12,000 km visiting three countries relying on the logistical support of CNT and selfless work of their members as well as partners Malicious Films GuerrillART. This is the result: 80 hours worth of records, 300 hours worth of testimony in timing and transcription meant for reference purposes at the Anselmo Lorenzo Foundation and 0 actors. Written by Antonio J. García de Quirós Rodríguez
Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.
In 1948 Pablo Picasso met the hairdresser Eugenio Arias. Both were linked by the fate of emigration. If Picasso initially only had his hair cut by Arias, a deep friendship soon developed.
Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.
A particular reading of the forties and fifties in Spain, the hard years of famine and repression after the massacre of the Civil War, through popular culture: songs, newspapers and magazines, movies and newsreels.
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.
A propaganda documentary about the Comité Central de Abastos. This committee provided food and support for the Republican forces in the Spanish Civil War.
The memory of a defeat, a barbarism: the destruction at the dawn of the civil war of people who fought for freedom, a group of anarchists from A Coruña located in the Atochas area. Through valuable witnesses and historical images a reconstruction of a metaphorical episode in the history of the country. This projection is made in collaboration with its author and the Commission for the Recovery of Historical Memory.
The victory of the fascist army in the Spanish civil war caused a mass exodus of republicans who had to take refuge wherever they could. Mexico, led by its president, Lázaro Cárdenas, was the only country that openly supported the republican cause and opened its doors to thousands of Catalans who found their second homeland in that land. This documentary aims to be a tribute to all the exiles and the people who welcomed them. "Mexico, you have opened your doors and your hands to the wanderer, the wounded, the exiled, the hero..." Pablo Neruda.
We had to wait until the Spanish “Movida” of the 1980s to see films that did not emanate from Francoist propaganda. But Spain had already experienced a period of cinematic splendor, during the civil war, when the film studios were under the control of the Republicans. By describing the "competition" between Republican and Francoist cinemas of the time, Richard Prost provides a unique vision of the Spanish Civil War.
A group of forensic doctors begins the exhumation of a mass grave in Vilagarcía de Arousa. This is the story of those who seek and those who seek them.
A story about the memory of the memory, which starts from the revenge perpetrated on October 15, 1936, when nine men were killed in Bayonne as a result of events that happened two days before, and which involved the death of a resident of that town and more than one Falangist .
During the 30s, the young Catalan teacher Antoni Benaiges takes office at a rural school in northern Spain. Antoni has a simple project: he wants to teach his pupils to write and to be free through the use of the printing press. But his dream ends very soon. An individual and collective story in memory of the victims of the Franco's repression.