A symbolic and personal representation of the filmmaker's journey with grief, after losing their father in 2015. He owned a pair of gold Crocs which he wore everywhere, from lounging around at home to going to the shops. These shoes have been with the filmmaker's family throughout their childhood and have great sentimental value. Now these Crocs belong to the filmmaker's family and everybody who visits wears them. They have become a staple of their home where they will continue to see many more years of their family's life events.
A symbolic and personal representation of the filmmaker's journey with grief, after losing their father in 2015. He owned a pair of gold Crocs which he wore everywhere, from lounging around at home to going to the shops. These shoes have been with the filmmaker's family throughout their childhood and have great sentimental value. Now these Crocs belong to the filmmaker's family and everybody who visits wears them. They have become a staple of their home where they will continue to see many more years of their family's life events.
2023-12-01
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An exploration into grief and its expression through the stories of individuals who have experienced loss or trauma due to climbing or alpinism. This artful compilation of interviews highlights how there is no singular or correct way to grieve.
In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.
Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.
The story of a normal water bottle living the average day to day life when suddenly tragedy strikes and he isn’t anymore, but what is it that remains of him? Has anything even changed in his absence? Does anyone notice the water bottle is gone?
SYNCHRONOUS is an intimate portrait of love and the reverse side of love: mourning. The granddaughter/maker looks idealistically at the endless love between her grandfather and grandmother. When her grandfather dies, she decides to look for answers by filming her grandmother. What happens when you've been together all your life and your great love dies? Where is the love then?
Documents the writing, recording and performing of Nick Cave & the Bad Seeds’ sixteenth studio album, Skeleton Tree.
Filmmaker Jennifer Abbott explores the emotional and psychological dimensions of the climate crisis and the relationship between grief and hope in times of personal and planetary change.
Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.
This is the face of someone the world assumes was stripped of her potential at the age of 18. But tragedy is not Mallory Weggemann's reality. Suddenly paralyzed from the waist down, she was turned loose to become a Paralympic Champion and activist. As Mallory's story unfolds, we come to understand that it was because of, not in spite of, that moment that she discovered who she really is.
Moving A Body is a single-channel black-and-white video with diegetic sounds. The video depicts a person trying to move an immobile body, a performance about carrying or trying to navigate something that is bigger than all of us.
One night, nine children from the same Tunisian village attempt the deadly crossing. Like a poem or a prayer, this film welcomes the words of bereaved mothers and gives dignity to their grief.
A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.
A documentary about an upcoming artist who is in grief but is trying to manage his musical career as a rapper.
On the heels of a tragedy and the COVID-19 pandemic, a Dallas-based theatre troupe comprised of people with intellectual and developmental disabilities are determined to write, rehearse, and perform their 11th annual original musical.
Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.
Don’t Let the Sun Catch You Crying is a short meditation on love, grief, and imagination. The hand-drawn animated documentary was created through a collaboration between mother, elder and narrator Edith Almadi and filmmakers Natalie Baird and Toby Gillies. This poetic piece celebrates life and the transformative ability of art to elevate and transcend us. Through vivid drawings and Edith’s simple yet magical words, the film explores our enduring bond with loved ones who have passed. In honouring her son’s life within the cosmos, Edith’s artworks embody colours, shapes and metaphors that remind us of the timeless power of love, gravity, and grace until our final breaths.
A Buddhist scientist from Bangkok decides to cryo-preserve his daughter's brain. As scandal swirls around the family, they struggle to grieve a child that, in their view, is suspended between death and a future reawakening.
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.