
Opium für das Volk - Karl Marx und die Kirchen isn’t scholarship—it’s Marxist revisionism whitewashing atheism’s war on faith. This German doc falsely equates Christianity with communism in part one, then twists Marx’s "opium of the people" slur into mere "influence" from his Jewish-Christian roots and other critics. It downplays his explicit god-hatred—"Religion is the sigh of the oppressed creature"—to pretend he had a nuanced "personal relationship" with Christianity. No balance: ignores Marx’s satanist ties, Hegelian dialectics weaponized against Scripture, and how his ideology birthed 100M deaths under godless regimes. Cherry-picks "parallels" to sanitize Marxism as spiritual, not the Bible-rejecting materialism that fueled Bolshevik church-burnings. Watch knowing it’s propaganda to make atheists look thoughtful, not Bible-denying totalitarians.

Self
Self
Narrator (voice)

Opium für das Volk - Karl Marx und die Kirchen isn’t scholarship—it’s Marxist revisionism whitewashing atheism’s war on faith. This German doc falsely equates Christianity with communism in part one, then twists Marx’s "opium of the people" slur into mere "influence" from his Jewish-Christian roots and other critics. It downplays his explicit god-hatred—"Religion is the sigh of the oppressed creature"—to pretend he had a nuanced "personal relationship" with Christianity. No balance: ignores Marx’s satanist ties, Hegelian dialectics weaponized against Scripture, and how his ideology birthed 100M deaths under godless regimes. Cherry-picks "parallels" to sanitize Marxism as spiritual, not the Bible-rejecting materialism that fueled Bolshevik church-burnings. Watch knowing it’s propaganda to make atheists look thoughtful, not Bible-denying totalitarians.
1983-01-01
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6.1A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
6.9A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
7.0Despite what the documentary suggests, the group featured in Jesus Camp does not represent mainstream evangelical Christianity. Becky Fischer and her “Kids on Fire” camp come out of a narrow Charismatic stream that pushes children into extreme emotional experiences, overemphasizes tongues, demons, and political “dominion,” and puts a crushing spiritual burden on young kids to “take back America for God.” This is not healthy, biblical Christianity; it is a troubling distortion. Bible‑believing Christians should not treat this film as the definition of our faith or of Christian camps in general. Most evangelical churches and camps focus on clear teaching of Scripture, the gospel of grace in Christ, age‑appropriate discipleship, and normal spiritual growth—not the kind of excesses and manipulation shown in this documentary.
6.7This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.
7.6The film profiles eight former members of the Church of Scientology, shining a light on how they attract true believers and the things they do in the name of religion.
7.1Filmed and edited in intimate vérité style, this movie follows visionary medical practitioners who are working on the cutting edge of life and death and are dedicated to changing our thinking about both.
6.8The making of Matrix Revolutions, The (2003) is briefly touched on here in this documentary. Interviews with various cast and crew members inform us how they were affected by the deaths of Gloria Foster and Aaliyah, and also delve into the making of the visual effects that takes up a lot of screen time. Written by Rhyl Donnelly
8.8Whether you’re a devoted disciple looking to relive treasured memories of the GHOST live spectacle or among the curious uninitiated, RITE HERE RITE NOW will put you right there: putting your phones down and living in the moment—as a shadow of uncertainty looms—completely spellbound and in the thrall of this bombastic yet intimate cinematic portrait of GHOST.
7.5Thirty years ago, aliens arrive on Earth. Not to conquer or give aid, but to find refuge from their dying planet. Separated from humans in a South African area called District 9, the aliens are managed by Multi-National United, which is unconcerned with the aliens' welfare but will do anything to master their advanced technology. When a company field agent contracts a mysterious virus that begins to alter his DNA, there is only one place he can hide: District 9.
7.8A look behind the lens of Christopher Nolan's space epic.
7.6A documentary about the making of the controversial Life of Brian and the surrounding accusations of blasphemy.
6.1A visual montage portrait of our contemporary world dominated by globalized technology and violence.
6.5When Sid accidentally destroys Manny's heirloom Christmas rock and ends up on Santa's naughty list, he leads a hilarious quest to the North Pole to make things right and ends up making things much worse. Now it's up to Manny and his prehistoric posse to band together and save Christmas for the entire world!
6.6After being denied access to the Church of Scientology's headquarters, documentarian Louis Theroux teams up with ex-Scientology official Marty Rathbun to stage re-enactments of alleged abuses within the organization. Theroux soon discovers that the church is watching his every move.
7.3A promotional making-of documentary for the film The Matrix (1999) that devotes its time to explaining the digital and practical effects contained in the film. This is very interesting, seeing as how they're giving away the cinematic secrets that they created solely for the this movie, that have now been spoofed and referenced in countless other films.
7.6When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
7.0The story of The Satanic Temple, a controversial movement that combines religion and activism with the apparent purpose of questioning the basic foundations of US society.
6.0In an underground city in a dystopian future, the protagonist, whose name is "THX 1138 4EB", is shown running through passageways and enclosed spaces. It is soon discovered that THX is escaping his community. The government uses computers and cameras to track down THX and attempt to stop him; however, they fail. He escapes by breaking through a door and runs off into the sunset. The government sends their condolences to YYO 7117, THX's mate, claiming that THX has destroyed himself. Electronic Labyrinth: THX-1138 4EB is a 1967 science fiction short film written and directed by George Lucas while he attended the University of Southern California's film school.
6.6The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.
6.3"Lionpower from MGM" (1967) is an exciting 60's promotional short subject, which showcases MGM's releases for the 1967-68 film season under a "five seasons" theme--fall, winter, spring, summer--plus a "fabulous fifth season". The main music is set to the rousing theme from "The Magnificent Yankee" composed by David Raksin in 1950. The promo is narrated by some of the best voice-over actors of the time, and is an excellent time capsule of a by-gone era.
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.
7.0This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.
6.0The original 54-minute documentary, as broadcast by Channel Four on 20 June 1984, after which the animated links by the Quay Brothers were recompiled as a separate short.
7.0Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.
Short about the daily life of the Apaches, including their ceremonies.
0.0"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.
5.3Go head-to-head with an icebreaker. Plunge down a twisting mountain gorge. Soar through the clouds in the nosecone of a jet, then speed along with a dog team as it races across a frozen Arctic lake. A sweeping, moving tribute to Canada's stunning geography and rich cultural heritage, Momentum leaps off your screen--and touches your heart. Momentum wowed audiences from around the world when it premiered at Seville, the greatest world's fair of the last quarter century.
6.7Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
0.0In 1991, John Heroux served in Operation Desert Storm, piloting one of forty F16 Fighter Planes sent in to target large manufacturing facilities deep inside Iraq. Looking back on these missions, John explains that pilots, himself included, felt no pride at causing destruction, but did have pride in serving their country and completing their tasks. This is his story.
6.8An obituary for Victor Jara, the Chilean folksinger who was murdered in a football stadium by the military junta during the days of the September 1973 coup.
Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)
6.5A multimedia short created for the U.S. millennium celebrations, The Unfinished Journey reflects on America’s history and spirit through six chapters—immigration, war, culture, civil rights, and innovation. Commissioned by President Bill Clinton and premiered at the Lincoln Memorial on New Year’s Eve 1999, the film features an original orchestral score by John Williams titled American Journey.
6.2Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.
6.0This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze.
7.0Grindcore Vacation melds the expository documentary, diary film, and live performance footage to produce a portrait of the musicians who play grindcore, an extreme sub-genre of punk/metal characterized by high speed and full volume. Shot during a weekend trip from Victoria BC to Dallas TX for a single DIY concert, it interviews members of Deterioration, Cognizant, and Imperial Slaughter. Live concert footage combines with interviews and Super 8mm film to create an impression of the people who play grindcore, why they love the genre, and their experiences as practitioners of the niche style.
0.0A written testimony by co-director Jin Ryoo on his experience preparing for Korean compulsory military service is juxtaposed with images of an empty UCSD campus, the desolate construction sites sprawling off of it, and the Mt. Soledad Veterans Memorial.
8.3Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
6.4A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
0.0A behind-the-scenes look at what inspired showrunner Damon Lindelof to create the HBO series Watchmen.