Scenes from a lavish pageant held during the royal visit to India, celebrating King George V’s coronation.
"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?
Filmed in the jungles of Peru, shaman Don Jose Campos introduces the practices and benefits of Ayahuasca, the psychoactive plant brew that has been used for healing and visionary journeys by Amazonian shamans for at least a thousand years.
This film describes the nature and impact of major religions in India, artistic monuments and contributions of each dynasty and cultural development of the people in different regions of the vast subcontinent.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
This Traveltalk series short visits a few locations where the centuries-old traditions of ancient India are kept alive in contemporary times.
Technicolor scenes from an Indian Durbar, held for the Maharaja of Alwar in Rajasthan.
With fireworks forming the word “Rio” in the sky and supermodel Gisele Bundchen shimmering to the tune of “The Girl from Ipanema,” Rio de Janiero welcomed the world to the first Olympic Games in South America with a serious message underlying the celebration: Let’s take care of our planet.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
Attractive travelogue filmed in and around Delhi's Qutb complex.
Gorgeously dreamlike colour images of (then) French India – present-day Puducherry.
Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.
Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.
The gang embarks on a trade mission to India. Equipped with three old British cars and a range of uniquely British products, they set off on an epic road trip across one of the world's most fascinating and challenging countries.
The Closing Ceremony of the XXXI st Olympiad.
A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.
Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.
In the holy city of Varanasi, 16-year-old Ali has one of the most dangerous jobs in the world – catching poisonous snakes. The boy balances life and death on a daily basis to support his family.
Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.
The opening ceremony of the 2014 Winter Olympics took place at the Fisht Olympic Stadium in Sochi, Russia, on 7 February 2014. It began at 20:14 MSK (UTC+4) and finished at 23:02 MSK (UTC+4) This was the first Winter Olympics and first Olympic Games opening ceremony under the IOC presidency of Thomas Bach. The Games were officially opened by President Vladimir Putin. An audience of 40,000 were in attendance at the stadium with an estimated 2,000 performers. The ceremony touched upon various aspects of Russian history, and included tributes to famous Russians, such as Peter Tchaikovsky (1840–1893), Ukrainian-born Russian humourist, dramatist, and novelist Nikolai Gogol (1809–1852), filmmaker Sergei Eisenstein (1898–1948), ballet dancer Vaslav Nijinsky (1889–1950), and patron of arts, and founder of Ballet Russes, Sergei Diaghilev (1872–1929).