Ekhlas Alhlwani was forced to flee Syria with her three children and now lives in Zaatari, a refugee camp in the Jordanian desert. Rizzi spent seven weeks observing her and other women's daily life, which is devoid of any prospects. He shows how Alhlwani makes every effort to establish some kind of normality for her family despite the difficult camp conditions. The film vividlyconveys the cruelty of war, and especially the state o funcertainty and rootlessness to which refugees are exposed. The film is the first part of a trilogy that focuses on the emergence of a new civil consciousness in Malaysia, Tunisia, Egypt, Bahrain and Syria, as well as the social implications of the end of post-colonialism in these countries.
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Ekhlas Alhlwani was forced to flee Syria with her three children and now lives in Zaatari, a refugee camp in the Jordanian desert. Rizzi spent seven weeks observing her and other women's daily life, which is devoid of any prospects. He shows how Alhlwani makes every effort to establish some kind of normality for her family despite the difficult camp conditions. The film vividlyconveys the cruelty of war, and especially the state o funcertainty and rootlessness to which refugees are exposed. The film is the first part of a trilogy that focuses on the emergence of a new civil consciousness in Malaysia, Tunisia, Egypt, Bahrain and Syria, as well as the social implications of the end of post-colonialism in these countries.
2013-02-07
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Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.
0.0An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.
8.0In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.
6.9Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
0.0"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)
9.012-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.
4.8In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
8.0After an attempt to bring Syrian refugees into the predominately white New England town of Rutland, Vermont, unleashes deep partisan rancor, a longtime Rutland resident emerges as an unexpected leader in a town divided by class, cultural values, and divisive politics.
7.2Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.
0.0Milena, a young woman from Ukraine, who along with her mother and grandmother (and cat), desperately struggle to escape their war- torn home while an army of supporters on the opposite side of the world fight to keep them safe. Milena survived the destruction of Mariupol, cowering for a month in the basement of a bombed-out building, watching her home and history burn. She managed to contact Ken Pontac, long-time Facebook friend and father figure. Their conversations bolstered Milena's spirits while Ken listened with growing apprehension.
8.3A harrowing account of Europe's migrant crisis. A family of Syrian refugees separated by the borders of Europe, fight to be reunited as they migrant from Syria to Germany.
6.0In one of the world's largest and oldest refugee camps, Dadaab, the inhabitans survive by watching films and dreaming. The refugees cannot leave the camp, but they let their minds escape the harsh reality: by going to the simple cinema hall run by Abdikafi Mohamed, the film's protagonist.
Documentary about sharing our cultures through universal themes like music, family, friends, and art. Within the backdrop of Berlins winter landscape, we captured the daily lives of seven extraordinary Syrians exiled from their home.
10.0Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).
7.1Two Americans deliberately head to the edge of war, just seven miles from the Syrian border, to live among 80,000 uprooted refugees in Jordan's Za'atari refugee camp.
10.0Two Syrian refugee girls document each others' attempts at making their first films.
10.0Powerfully and heartbreakingly detailing the challenging process that LGBTQ refugees must go through to find safety and security while starting over in the US, Tom Shepard’s inspiring new documentary profiles four people who have come to San Francisco to save their own lives. Over the course of this unforgettable group portrait, Subhi (from Syria), Junior (from Congo), and Mari and Cheyenne (from Angola) experience roadblocks and triumphs as they reflect on their respective histories and try to create a home for themselves in an environment that is not always welcoming. Once in San Francisco, they are met with setbacks but each maintains hope for a better future – Mari and Cheyenne record an album, Subhi starts a tour speaking on behalf of Syrian refugees and finds love, while Junior faces challenges of homelessness and gender non-conformance.