Charming amateur film featuring the Eisner family, who emigrated to Britain from Romania the year this film was made.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.
A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.
Told through the eyes of 15-year-old Jamil Sunsin, Colossus is a modern-day immigrant tale of one family's desperate struggle after deportation leads to family separation, and the elusive search for the American dream.
When Ilse Cruz was a toddler, she and her mom immigrated from Mexico to Chicago in search of better opportunities. Now a passionate dancer and ambitious high school student, Ilse hopes to go to college and one day visit the family she left behind. However, her undocumented status pushes these dreams further out of reach. Halfway through her senior year, Ilse learns her DACA permit qualifies her for a special document that allows her to return to Mexico. Through a life-changing trip, Ilse reconnects with her family and Mexican roots – and her legal re-entry to the U.S. fast-tracks her application process for permanent residency. Six months after she graduates from high school, Ilse obtains her green card – mere weeks before Donald Trump takes office. While Ilse’s mother rejoices in these unexpected events for her daughter, her own fate grows ever more uncertain.
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
How does one trigger a revolution? In the Romanian uprising in 1989, everything seemed to happen by itself. The people were fed up and were plagued by poverty and terror. There comes a time when action must be taken! But, it turns out that history is not that simple, as this investigative documentary proves. The film is a thorough and revealing reconstruction of the events leading up to Ceaucescu’s downfall and execution. In actual fact, the Romanian revolution was a strictly managed operation, controlled from the outside. Hungary, Germany and especially America had big fingers in the pie.
The stories of four Iranian families who emigrate to Canada and the city they leave behind. As departure time approaches, social spaces become places of memory, fading into the distance.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
The Stella Maris Berria is a tuna vessel destined for scrapping. However, Iñigo Mijangos and Iñigo Gutierrez, two members of the NGO Salvamento Marítimo Humanitario, have an unusual idea: to transform the fishing boat into a rescue boat to save refugees drowning in the Mediterranean Sea. That is how Aita Mari was born.
"My Socialist Home" is a documentary film exploring the significance of gender in the constitution of domestic space in the socialist and postsocialist state.
Each year over 1.2 million wildebeest travel across the vast Serengeti plains and Kenya's Masai Mara on a 1,800 kilometer circular journey, relentlessly followed by every big African predator. Revolutionary spy cams - airborne, swimming or disguised as rocks, skulls or dung - reveal the Great Wildebeest Migration from entirely new perspectives. This 2-part series focuses on the growing-up of a calf as he takes his first steps, faces his first deadly perils and tries to cross crocodile-infested rivers. It combines natural humor with exciting drama and gripping music.
In an early work, video artist Dara Birnbaum records a cross section of fellow passengers aboard the Staten Island Ferry while en route to the Statue of Liberty. Asking subjects to use her video camera to capture their own views of the iconic monument, Birnbaum creates an homage to the immigrant experience.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Three generations of the Nabi family flee their home in Aleppo and try to make it to safety in Germany where some members of the family have already settled. Along the way they suffer countless setbacks and heartache.
Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.
A look at the Jewish community in Rădăuți, Romania, from 1974 to 1976.
The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.