3 cm Less(2003)

Temps de CanVies(ca)

Kukutza III(es)

Kukutza III was a gaztetxe (self-managed social centre) in the neighbourhood of Rekalde, Bilbao. It was occupied in 1998, and it was evicted by the police in 2011. The documentary shows some activities that were hosted by the gaztetxe.

Quando Era Primavera(pt)

Dandara: Enquanto Morar for um Privilégio, Ocupar é um Direito(pt)

Big Rig(en)

Big Rig (2008) is a documentary film by Doug Pray about long-haul truck drivers. The film consists of a series of interviews with different drivers, focusing on both their personal life stories and also the life and culture of truck drivers in the United States.

The Truth About Pula(sh)

Yugoslav Partisan propaganda film about the post-World War II events in Pula.

The First 54 Years: An Abbreviated Manual for Military Occupation(he)

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.

Acabou a Paz: Isto Aqui Vai Virar o Chile(pt)

Stitching Palestine(ar)

Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery. Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail. Through their stories, the individual weaves into the collective, yet remaining distinctly personal. Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.

The Ghosts of Jeju(en)

Documentary about the struggle of the people of Jeju Island, South Korea. Set in the context of the U.S. presence in Korea after World War II, the film reveals horrible atrocities at the hands of the U.S. Military Government of Korea.

Undercover in Tibet(en)

Undercover in Tibet reveals the regime of terror which dominates daily life and makes freedom of expression an impossibility. Tash meets victims of arbitrary arrests, detention, torture and ‘disappearances’ and uncovers evidence of enforced sterilizations on ethnic Tibetan women. He sees for himself the impact of the enormous military and police presence in the region, the hunger and hardship being endured by many Tibetans and hears warnings of the uprising taking place across the provinces now.

The Prostitutes of Lyon Speak(fr)

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

Gaza Souvenirs(fr)

Letter to My Tribe(en)

Letter to My Tribe started with a question: Why don’t more Jews and Israelis speak out about Palestine? Over many years my mother, who represents a more messianic perspective, and I have had numerous arguments, some recorded, some not. These form the backbone of this video essay in which Israelis and Jews, journalists, activists and a rabbi are interviewed, and in which documentation of actions on the ground, in the West Bank, are woven with more personal family histories and journeys to Iraq and to Poland.

Palestine 1920: The Other Side of the Palestinian Story(ar)

“A land without a people, and a people without a land” is how the relationship between Palestine and the Jewish people was described by Christian writers in the 1800s. And the 20th-century history of the Middle East has largely been written through these eyes. But this film from Al Jazeera Arabic looks at Palestine from a different angle. It hears from historians and witness accounts, and features archive documents that show Palestine as a thriving province of Greater Syria and the Ottoman Empire at the dawn of the 20th century. The evidence suggests that its cities had a developing trade and commercial sector, growing infrastructure, and embryonic culture that would enable it to meet the challenges of the decades ahead. This film is the other side of the Palestinian story.

Dukla - areál spomienok(sk)

Notes of Resistance and Erasure(en)

This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.

An Oppressed People Is Always Right(da)

In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.

No Other Land(ar)

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.

Five Broken Cameras(en)

Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.