Through an unsent letter, the author travels through time and recalls moments when love affected him intensely. Evocative images explore how pain and beauty intertwine with maturity on a journey guided by childhood friends, political disappointments, fleeting romances, and the loss of loved ones.
A chronicle of Cyndi Lauper's meteoric ascent to stardom and her profound impact on generations through her music, ever-evolving punk style, unwavering feminism and tireless advocacy. This documentary takes the audience on an engaging exploration of a renowned and pioneering artist who has left a remarkable legacy with her art.
Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.
Take a behind-the-scenes look into the most pivotal elements of THE BLACK PHONE production, including adapting the story and achieving the vision of director Scott Derrickson.
A featurette where Ari Aster and the cast break down the story and give us a behind the scenes look at the making of the film. It gives a fascinating look inside Ari Aster’s mind, and the detail put into production.
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Kaniela: The Danny Kaleikini Story, is a biographical documentary based on the life of the man known as Hawaii’s Ambassador of Aloha, as told in his own words. Born into a large family with limited resources, Kaleikini learned the value of hard work by selling newspapers, shining shoes and singing on street corners at a young age to help support his family. He developed his singing and entertaining skills during his family’s weekend backyard parties. Kaleikini began working in Hawaii’s tourism industry in the 1950’s and after learning lessons from other local entertainers, blossomed into a beloved and globally known entertainer with over 30 years of performing in Hawaii, Las Vegas and Japan.
Jacqueline Lundquist's father, Donald C. Lundquist, served in Vietnam in 1967-68. While there, he wrote hundreds of letters and recorded many hours of audio tapes that he sent to his wife and daughter. A mere months after returned from the war, he died. Jacqueline was barely 5 years old. Her mother gave her the letters and audio tapes in her teens, but she didn't read them until the summer of 1997 when she was 7 months pregnant with her son, Sam. She was 34. That set her on a journey of getting to know her dad and retracing his footsteps in Vietnam. She ultimately befriended a North Vietnamese soldier who had fought opposite her father. His family had also kept all the letters he had written back to his wife and daughter. This is their contrasting yet similar story.
A century after Shackleton's Endurance sank beneath the ice, explorers uncover the legendary shipwreck and an amazing tale of survival.
A short documentary covering the conclave and election of Pope Pius XII.
Flyways follows endangered migratory shorebirds as they travel their ancient migration routes around the planet. Using nanotechnology and global tracking from the International Space Station, the project will uncover the paths of the world’s greatest, feathered endurance athletes and shine a light on the scientists and international lawyers who are collaborating to save them.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.