Andrea and Krisztina Marics are 28-year-old identical twins with a teaching degree that have lived together since birth. They work together at a touring circus, doing joint artistic performances. After a long circus tour abroad, Andrea leaves the close relationship and ends their work together. She feels that she can succeed on her own. Krisztina still lives and works in the circus but struggles to find her place there without Andrea. After the winter tour, Krisztina has to decide if she stays at home with her sister or continues the life of a wanderer.
Early Balkan footage.
Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.
Funny story of an unemployed metalworker, self-proclaimed Marxist, his views and whereabouts.
eXposed documents the making of Buckle Roos, a four hour gay pornographic film that is revered in some circles for being the finest film of its type. The director of the documentary reveals the personal stories of the actors as well as the crew members.
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
Reconciliation becomes possible between a gay circus trainer and his mom when he and his husband adopt a student.
Ibn Kenyatta has been in prison since 1974. In 2019, he reflects on his refusal to appear before the New York State Board of Parole. The words resonate from his cell with images of the Great Migration. The invocation of a life before walls. The images' epistolary narrative takes us from Alabama, his birthplace, to the New York subway where he was arrested and beaten. Before arriving to Haiti's spiritual world, his words pass through cotton fields and factories. We encounter Bobby Seale in prison, a youth who embodies his African heritage during the Vietnam War, while his fathers are murdered in the United States.
This short documentary captures life in Filippa di Mesoraca, a little village in Calabria in southern Italy. Inspired by the migration of young people to the cities of the north, "Grigio. Terra bruciata" ("Burnt. Land of Fire") tells about what's left in the village and how the older people live the last years of their life. Just like elderly faces ravaged by time, the walls of the unfinished houses decay slowly, returning to nature. This film is about a place that transformed alongside the people who live there.
Alexander Calder created and performed one of the most important and beloved works, his miniature circus (1926-1931). More than twenty years later Jean Painleve made Le Grande Cirque Calder 1927, begun in 1953 and completed in 1955.
A single-channel, nonlinear performance video and diegetic sounds. Exploring the ground of the reenactments of intimacy and the public display of these reenactments through video projections.
The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.
A historic underground gay document. Shocking. Intimate. Taboo. A behind-the-scenes look at the performance art of a millennial artist who travels the world performing in public spaces using the medium of piss, video and the internet to break social norms.
A short in the WB Hollywood Novelty series (production number 7301) about the training of polo ponies. Buddy Rogers buys one of the ponies in training, and later uses him in a match where Jack Holt and Joe E. Brown are among the players. Edward G. Robinson and Jack Oakie are among the spectators who see Joe. E. Brown knock in the winning score.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
A boy named Matt finds him self in at the base of a great hill. It's not a question of if he will get to the top, but how.
The film shows the bronze door of Bernward of Hildesheim in its individual fields. The door shows Old and New Testament stages of the events of salvation: from the creation of man to the fratricide of Abel; from the angel's proclamation to Mary to the presentation of Jesus in the temple, the capture of Jesus to the encounter of the risen Christ with Mary Magdalene. Careful camera work - supported by careful lighting - succeeds in doing justice to the monumental size of the work.
Four documentary scenes with subtitles document the year 1917 as the beginning of a new era. In addition to the military situation and the supply situation in Germany, the intervention of the USA and the events in Russia are shown in particular.
This experimental short film deals with anguish, as imagined by Claude Péloquin, author, poet, performer and filmmaker, in the early 1970s. Vertiginous camera angles, oppressive places and a disturbing soundtrack, the filmmaker uses his sound environment and the words of the interpreter Josée Vanasse to express this generalized disease at a time of great acceleration and fury for life.