Territoires, alliances et autres métissages(2022)

Through the Repellent Fence: A Land Art Film(en)

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

Berbères des cimes(fr)

At the heart of the Moroccan High Atlas mountains, water is a resource in short supply. The village of Tizi N'Oucheg has undergone a transformation thanks to Rachid Mandili, who is well-aware that the development of his village depends on access to clean water and on his strong leadership of this project. Mandili rallies all the villagers together and calls upon the knowledge of French and Moroccan scientists to tap water sources, to purify, and reuse waste water for irrigation. The documentary highlights the Berbers' community ties and ingenuity in their dream of independently managing their village water resources. It equally paints a portrait of a man whose initiative and resourcefulness has opened Tizi N'Oucheg up to modernity while still conserving its cultural heritage. Tizi's example presents some of the problems of water access in semi-arid regions and puts forward concrete solutions to these problems.

Children of Wind River(en)

A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.

Landscape of our Body(vi)

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

500 Years(es)

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

Is the Crown at war with us?(en)

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

Habilito: Debt for Life(es)

Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.

Kikkik(en)

It is taking decades for Canada to come to terms with its history in the Arctic, and with its relationship to all its indigenous people. “Kikkik” is the story of government mistakes and neglect, of starvation, murder, freezing death, but, in the end, a kind of justice that helps restore our faith in human decency. In 1958, the Inuit woman Kikkik was charged with murder and criminal negligence leading to the death of her child. Her trial and our visit back to the place and to Kikkik’s children confront us with a legacy that’s still a challenge for Canada.

Entre Muros(pt)

Nostalgia for the Lake(es)

A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.

nîpawistamâsowin : We Will Stand Up(en)

On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.

Le nord au coeur(fr)

Baraka(en)

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Like a Mighty Wave(en)

On Wednesday, July 17th 2019, a heavily armed police force arrested 36 Native Hawaiian kūpuna peacefully protecting Maunakea from desecration. The actions from that day sparked an international outcry and brought new life to the ongoing movement for Native Hawaiians’ rights for self-determination.

Mauna Kea: Temple Under Siege(en)

Although the mountain volcano Mauna Kea last erupted around 4,000 years ago, it is still hot today, the center of a burning controversy over whether its summit should be used for astronomical observatories or preserved as a cultural landscape sacred to the Hawaiian people. For five years the documentary production team Nā Maka o ka 'Āina ("the eyes of the land") captured on video the seasonal moods of Mauna Kea's unique 14,000-foot summit, the richly varied ecosystems that extend from sea level to alpine zone, the legends and stories that reveal the mountain's geologic and cultural history, and the political turbulence surrounding the efforts to protect the most significant temple in the islands: the mountain itself.

Covenant of the Salmon People(en)

Covenant of the Salmon People is a documentary portrait of the Nez Perce Tribe’s ancient covenant with salmon. The film follows their efforts to uphold this ancient relationship as dams and climate impacts threaten one of the cornerstones of their culture.

Western Gold(en)

Join Savage Films on an adventure in search of the best highball boulders on the West Coast of North America. Phenomenal cinematography takes you to five new world-class locales: Red Rocks NV, Leavenworth WA, Squamish BC, Cody WY, and Castle Rocks ID. Western Gold provides a thrilling view of the bouldering experience when climbers commit to harder moves higher and higher off the ground. From the hardest to the tallest the West Coast has to offer, get ready to see something new.

INAATE/SE/(en)

INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.

When the Mountains Tremble(es)

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

Mayan Renaissance(en)

Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.