A short documentary about a small village in the city of Ulcinj, that has 3 bridges.
A short documentary about a small village in the city of Ulcinj, that has 3 bridges.
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The Balkans cradles Europe's last wild rivers and supports abundant wildlife and healthy, intact ecosystems. These rivers are "The Undamaged" – clean, pristine, and undammed. With over 2,700 small and large hydro power plants planned or under construction in the Balkans, corruption and greed are destroying the last free-flowing rivers of Europe. Follow the Balkan Rivers Tour, a rowdy crew of whitewater kayakers, filmers, photographers and friends who decided to stand up for the rivers, travelling from Slovenia to Albania for 36 days, kayaking 23 rivers in 6 countries to protest the dams and show the world the secret wild rivers of the Balkans. The film honours everyday people and local activists who are fighting to defend rivers and aims to spread the word of the plight of these rivers, showing a new style of nature conservation that is fun, energetic and effective.
A documentary unraveling the untold stories and brutal experiences of the Kosovo War in the late 1990s.
A documentary exploring how Albanians, including many Muslims, helped and sheltered Jewish refugees during WWII at their own risk, and trying to help the son of an Albanian baker that housed a Jewish family for a year return some Hebrew books that the family had to leave behind.
A mockumentary about four people and their idiosyncratic ways of saving the planet.
Documentary about Congres VI of the Women's Union.
Children get ready to start the first grade. They start learning the first letters.
Psychological documentary portrait of a village woman who's about to have an abortion. The story is conveyed in an expressionistic manner with ritualistic undertones.
One of the most recognizable voices in all of modern day music, Dua Lipa quickly rose to fame. Her catchy tunes and sultry vocals make her music appeal to a global audience.
Stolen Kosovo is a Czech language documentary by director Václav Dvořák (b. 1948), about the Serbian–Albanian conflict in Kosovo. The documentary describes the situation, first in a short overview of the history of the area, followed by the 1990s conflicts and bombing of Serbia by NATO forces in 1999 and ending with the situation after the Kosovo War. The documentary focuses on the 1990s in the time of Slobodan Milošević's rule as well as on numerous interviews of Serbian civilians and, less, of Albanian insurgents against the Milošević regime.
No one knows why for certain, but from 1968 to 1973 communist Albania enjoyed a brief liberalisation in the arts. Banned books and Beatles records changed hands. Albania’s Nobel-nominated novelist Ismail Kadare wrote two of his most famed masterpieces, Kështjella (The Castle) (1970) and Kronikë në gur (Chronicle in Stone) (1971) during this period. The rock'n'roll and jazz arrangements featured in this concert documentary were the pretext that brought about the end to the artistic thaw. Several performers seen in the festival were sent to prison or internal exile. The portly, smiling music conductor, Gasper Çurçia, was later accused of forging bus tickets and executed.
Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.
The story of Viktor Stratoberdha (1921-1991) mirrors many of Albania’s tragedies. Stradoberdha’s humorous, buoyant style led him to be one of the country’s most promising filmmakers. But after being denounced in 1956, he was expelled from the Kinostudio and sent into internal exile. In 1967, Stratoberdha directed a local theater play in which the economic five year plan was placed in a coffin. He was then jailed for the next two decades. Urime Shokë Studentë! is one of the surviving documentaries of Viktor Stratoberdha’s all too short career.
A documentary that investigates the complexity of a nation, Albania, through the narration of the convoluted history of its monuments. What happens to the statues when they are destroyed, what are they replaced with and where do their marble shreds end up? What happens to their expensive bronze? And again: what do the sculptors who made these statues think of these destructions, what is their opinion. And today? Which statues are being destroyed in Albania today?
A dramatic depiction of honor, family feuds and thousand-year-old traditions. In Albania, the tradition of avenging an injustice according to the motto "an eye for an eye, a tooth for a tooth" still lives on. This has led to people being trapped in their homes for fear of being murdered due to a family feud.
Montenegro is the newest European country with a proud history, one that is being falsified for current political purposes, thus creating an alternative identity. In a nation where it possible for two brothers to claim different ethnic backgrounds despite having the same parents, everything is on the table: language, church, democracy. Can the truth set Montenegro free?
Mad dictators, trigger-happy mobs, archaic blood feuds - this pretty much sums up what Western Europeans know about Albania. But reality in this long forgotten Balkan country is much more complex and multilayered. SHQIPERIA - NOTES FROM ALBANIA offers a flow of stories from and about Albania, displaying the country in its true diversity, unspeculatively illuminating its conflicts and discovering this blank spot on the map of Europe in all its contradictions.
“Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.
Follows rural GP Dr Ylli Hasani who risked imprisonment in totalitarian Albania by listening to the BBC World Service to keep up to date with world events, especially English football.