In Memoriam (La derrota conviene olvidarla)(2018)

Shâd Bâsh(fr)

A Minha Avó Trelotótó(pt)

«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»

Sin libertad: 20 años después(es)

Buck Southworth: U.S. Air Force Flight Crew(en)

In this short documentary, the life story of Buck Southworth as a U.S. Air Force aircrewman is told and narrated by his wife, Priscilla Southworth, now a Cemetery Volunteer at Cape Canaveral National Cemetery. This is a remarkable and touching documentary about bravery, mission and love.

Negotiating Amnesia(en)

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

A Day at the End of 25 Years(en)

An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.

Nighthouse(es)

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

Mujeres en la isla: las otras hijas del mestre(es)

Adrift by the Towers(pt)

Vila das Torres was a self-built community based on one of the largest urban gardens in Rio de Janeiro, below the energy towers of the Light Company and next to the train lines. Eight years after its removal for the construction of Parque Madureira, former residents report their memories.

Remembering Port Chicago(en)

In California's Bay Area, a painful memory lingers of the Port Chicago disaster of WWII, when hundreds of the Navy's first Black Sailors perished, and the White officers in charge were protected by the chain of command.

La calle del Agua(es)

Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.

Grandpa, grandma, what happens to our videos after we die?(el)

When do videos die? When we forget they exist. When do people die? When we forget they exist. So grandpa, grandma, you've died twice. Sorry, I'll make it up to you.

Gartelmann la memoria(es)

Karl Dieter Gartelmann, a German photographer and filmmaker, arrived in Ecuador in the seventies, in the midst of the oil boom, with an old 16mm Bolex video camera, and began a journey through the Ecuadorian jungle, collecting the visual testimony of a life that is dying. This documentary brings together the director's permanent concerns: culture and nature wasted by extractivism. A conversation between two directors about the creation of memory through cinema.

Horizon: How Does Your Memory Work?(en)

You might think that your memory is there to help you remember facts, such as birthdays or shopping lists. If so, you would be very wrong. The ability to travel back in time in your mind is, perhaps, your most remarkable ability, and develops over your lifespan. Horizon takes viewers on an extraordinary journey into the human memory. From the woman who is having her most traumatic memories wiped by a pill, to the man with no memory, this film reveals how these remarkable human stories are transforming our understanding of this unique human ability. The findings reveal the startling truth that everyone is little more than their own memory.

(Sol)ar Memories(es)

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

Preciso Te Contar Uma Coisa(pt)

I Remember Nothing(fr)

January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.

Sacramento Gutiérrez Concha. L’home de la reconciliació(es)

The history of the Asturian mining basin from the mouths of its protagonists. We are after the victory of the national side in the Civil War, the families decimated with the dead in common graves. The "fugaos" and the guerrilla struggle that they maintained under the slogan of the PC. The “normalized” return to the mines with surveillance by the Civil Guard, the first strikes, timid and disorganized, spontaneous; the organization then, unionized and clandestine; the “resistance boxes”, the constant pulse against Francoism…

Medicina 70(pt)

Raul Brandão was a Great Writer...(pt)

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.