

herself
self
Self
0.0Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.
0.0An experimental short film about killing in the cinema, on the street or at the time of filming
10.0In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.
6.9Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.
0.0In the mountains of Chiapas, a rebel experiment in autonomy continues to thrive – thirty years after its declaration of war against the Mexican state. ¡Ya Basta! 30 Years of Zapatista Autonomy, a Modern Insurgent documentary, explores the legacy and future of the EZLN, reflecting on how a masked, rural rebellion reshaped Mexico’s political landscape and inspired activists across the globe. What does revolution look like when it refuses to seize state power? And what can the world learn from a community that continues to build its own system from the ground up?
0.0During the pandemic, living under an extreme right-wing government, filmmakers Bel Bechara and Sandro Serpa receive the news that would change their lives: there was a baby to be adopted.
0.0On March 29, 1947, peasants armed with sticks and knives attacked the French garrisons in Madagascar. The revolt would end twenty months later with the death of the last insurgents, shot down by the expeditionary force. France, accustomed to memory lapses, knew nothing of this insurrection and its trail of torture and abuses. In Madagascar, well after independence, the events of 1947 were never discussed. For more than a generation, parents refused to speak of them to their children. It wasn't until the 1980s that the silence was broken.
7.5On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.
0.0Forbidden to Wander chronicles the experiences of a 25-year-old Arab American woman traveling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002. The film is a reflection on the complexity of Palestinian existence and the torturously disturbing "ordinariness" of living under constant curfew. The film's title reflects this, as the Arabic words used to describe the imposed curfew "mane' tajawwul" literally translate as "forbidden to wander". The video is also the journey of personal discovery for the filmmaker, the wanderer who falls in love with a Palestinian man in Gaza.
A moving personal documentary about Danny, a friend of Kybartas who died of an AIDS-related illness in 1986. This powerful work explores the reason for Danny’s return home and his attempts to reconcile his relationship with his family members who had difficulty facing his homosexuality and his imminent death.
0.0This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.
7.2In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.
5.5Diving deep into the true causes of the Great Recession, the financial crisis of the 2010s, renowned economists, investors and business leaders explain what America is facing if we don't learn from our past mistakes. Is the economy really improving or are we just blowing up another Bubble?
5.5In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.
0.0Focuses on sexual equality in the Black community.
0.0An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.
7.6A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.
0.0The filmmaker delves into her family's past and the seemingly intact world of childhood begins to fall apart. Here, the private sphere reflects the helplessness and excessive demands of German society in the 1970s - between the shadows of the National Socialist past and new utopias.