

A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject.

A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject.
1961-01-01
7
6.1A visual montage portrait of our contemporary world dominated by globalized technology and violence.
7.3An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
7.8Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
7.5A documentary focused on plastic pollution in the world's oceans.
6.9A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
7.2Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
7.7A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
8.1Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.
7.9Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
7.2A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
7.9After years of swimming every day in the freezing ocean at the tip of Africa, Craig Foster meets an unlikely teacher: a young octopus who displays remarkable curiosity. Visiting her den and tracking her movements for months on end he eventually wins the animal’s trust and they develop a never-before-seen bond between human and wild animal.
7.8Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
7.8A look behind the lens of Christopher Nolan's space epic.
7.5Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
7.5Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
6.8Stick Man lives in the family tree with his Stick Lady Love and their stick children three, and he's heading on an epic adventure across the seasons. Will he get back to his family in time for Christmas?
6.6Three sleepy babies in a clog-boat sailing through the night sky attempt to fish with candy canes for very smart fish.
6.5In this documentary, recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it therefore to be his rightful property.
6.7Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
A young trans man tells his story on a early morning journey to Coney Island.
6.3"Lionpower from MGM" (1967) is an exciting 60's promotional short subject, which showcases MGM's releases for the 1967-68 film season under a "five seasons" theme--fall, winter, spring, summer--plus a "fabulous fifth season". The main music is set to the rousing theme from "The Magnificent Yankee" composed by David Raksin in 1950. The promo is narrated by some of the best voice-over actors of the time, and is an excellent time capsule of a by-gone era.
5.2An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
The horrors of war and the devastating effects of the atomic bomb.
9.0A science fiction fantasy on skis with spectacular glacier skiing, extraordinary acrobatics, unique optical effects, and an original score. The world's polarity is mysteriously reversed, requiring the skiers to regain the realm of normal perception by performing maneuvers inspired by the ambiguous nature of the "Moebius Strip."
6.8An obituary for Victor Jara, the Chilean folksinger who was murdered in a football stadium by the military junta during the days of the September 1973 coup.
Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)
7.1An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
7.7It was a family secret, hidden for decades - until now. With the help of commercial DNA bases, SVT's US correspondent Carina Bergfeldt sets out in search of her secret half-brother, who according to a rumour exists. The hunt came to affect her whole life.
A look at the ruins of the ancient city of Angkor. The largest collection of sculptures the world has ever seen - an entire metropolis of palaces and temples recovered from the jungle.
In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.
6.7Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
6.9Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
6.0British legend Adrian Street reflects on his life and career in and out of the ring.
2.0A motorcyclist talks about his history of integration in a motorcycle club and the lifestyle involved in belonging to that group.
0.0Entering in the darkness of his memories, with the aid of some old photographs, one man travels to his past, building along his way a story which spans multiple generations to recover the image of his father, whose early passing marked him as a child.
0.0December 31, 2015. The Valencian bookstore Valdeska closed its doors permanently after forty years of activity. The result of four years of monitoring and filming, these 31 minuts of run time are part of a book unread, unknown and undiscovered. "Me voy. Me voy" it's not the story of a bookstore, not the portrait of an exceptional bookseller, it's a will to attach the things in the filmed image, to make something lasting showing the moment of its disappearence.
4.0A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.