Dieciocho de julio, número 2 - Madrid(1936)

¿Por qué morir en Madrid?(es)

Songs for After a War(es)

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

Return to Life(fr)

In this propaganda film intended to raise money for republicans fighting in the Spanish Civil War, Henri Cartier-Bresson first presents the achievements of the Spanish Republic in the field of public health. He then shows how members of the public and organizations across the world were supporting the fighters.

Behind Natacha Rambova's Shadow(ca)

The adventurous life of Natacha Rambova (1897-1966), an American artist, born Winifred Kimball Shaughnessy, who reincarnated herself countless times: false Russian dancer, silent film actress, scenographer and costume designer, writer, spiritist, Egyptologist, indefatigable traveler, mysterious and curious; an amazing 20th century woman who created the myth of Rudolph Valentino.

In Battle Against the Enemy of the World: German Volunteers in Spain(de)

Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.

Más allá de la alambrada: la memoria del horror(es)

La doble vida del faquir(es)

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

Extranjeros de sí mismos(es)

Pitiusas 1936-1939. Los Años Grises (2ª Parte)(en)

On September 13, 1936, Ibiza is bombed. The republican forces flee the island, but not before mass shooting all the prisoners locked up in the city castle. On September 20, the so-called national forces landed, under the command of Commander Antonio Montis Castelló and Arconovaldo Bonacorsi, better known as Conde Rossi, who began a harsh repression that would last beyond the end of the war.

Las vencidas y no derrotadas(en)

In 1936, after the coup d'état perpetrated by Franco against democratic Spain and the subsequent dictatorship that followed a bloody Civil War, women suffered physical, sexual, economic, educational and political violence, leading to the largest theft of babies in the world. History of recent Europe. 'Las vencidas y no derrotadas' is a documentary with the testimonies of these women, whose faces bear the mark left by unhealed wounds. Its protagonists tell us about real events, reliving events that were milestones in their families, towns and cities, supported by graphic documentation of family and personal memories, as well as images and audios from historical archives.

Las cerezas del exilio(en)

This film reveals testimonies, reflections and memories from the experience of many Aragonese who, after the Republican defeat in the civil war, had to cross the Atlantic in search of survival.

De espalda al sol(en)

This documentary collects, through the testimonies of five survivors, four women and one man, the tragedy experienced in “la Desbandá de Málaga and the subsequent exile to France. At the entrance of Queipo de Llano's troops into the city of Malaga, thousands of people, mostly women and children, fled to Almería along the road. They were bombed by sea, land and air by the German army, Mussolini's army and Franco's troops from the then Moroccan colony. Around five thousand people died on these two hundred kilometers of road. This exodus was known as “La desbandá”.

La Canción Triste de Esteban(en)

This is the story of a forbidden song that mourned Esteban Ramón. Born in 1914, into a very humble family, the implacable Bercian mountains would be the silent witnesses of a sung tragedy whose notes we should not forget.

Sang i salsa (de tomàquet)(ca)

A documentary about the ghosts of Joan Perucho, which wants to be an immersive experience in the author's universe, in his literature, in his landscapes, his fears and obsessions, his experiences, war, cinema, vampires, the fantasy genre and pop culture.

Beste aldea. Gizona ez den hori(en)

In 1936, the war broke out in Spain and in 1937 the front was maintained for many months around Angiozar and Elgeta. It has often been talked about what men experienced, but women have also experienced the war. Through this documentary, their bravery and courage, both at the front and in resistance away from the front, has been highlighted and recalled.

Jaén, Viento del Pueblo(en)

The documentary 'Jaén, Viento del Pueblo' places the viewer in the year 1936 and takes them to the present day, analyzing and pivoting around the processes of exhumation of the graves in the province of Jaén, the stories of relatives and experts

The Enigma of Frank Ryan(ab)

The life of Frank Ryan (1902- 1944) who was an Irish radical, International Brigade volunteer in Spain, and Nazi collaborator in Berlin.

Brigadistas(de)

Caudillo(en)

Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

Aidez l'Espagne(ca)

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.