My Name Is Susan Yee(1975)

HAK_MTL(fr)

Does privacy still exist in 2019? In less than a generation, the internet has become a mass surveillance machine based on one simple mindset: If it's free, you're the product. Our information is captured, stored and made accessible to corporations and governments across the world. To the hacker community, Big Brother is real and only a technological battle can defeat him.

Da habt ihr mein Leben - Marieluise, Kind von Golzow(de)

The different life paths of former girlfriends from Catholic and Protestant homes respectively - one a draftswoman, the other a chemical laboratory technician - in two interrelated films, in which love, like the demands and attitudes to life in the change of its foundations in the process of the decline of the GDR and its accession to the Federal Republic of Germany, play a special role.

EXPO 67 Mission Impossible(fr)

This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.

This Beggar's Description(en)

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

The Opener(en)

THE OPENER is a feel-good, underdog music doc about a street performer who wrote 30 songs in 30 days to process his grief and isolation during the pandemic, and found that his music spoke to millions. When it reached the ears of one of his heroes, Grammy-winner Jason Mraz, he was invited on his very first tour and given a chance to prove himself on the big stage.

How Lucky China(en)

Follows Long Island’s Mary Lamont Band on their groundbreaking 23,000-mile tour in six cities and provinces across mainland China in 2002.

Breaking Point: Canada/Quebec - The 1995 Referendum(fr)

BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.

To the Sea(es)

Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.

Odyssey(en)

Six California kids test their brains and talents against students in Odyssey of the Mind, a problem-solving competition requiring mechanical, creative and intellectual skills. With little money and zero adult participation, the teens build a robot to tell a story about bullying, exclusion and mental health. But how does their solution measure up?

Ceres(nl)

Ceres is a poetic yet realistic documentary that follows four children as they experience the natural cycle of life on a farm. Each child lives on a remote farm in the southwest of the Netherlands and is learning the profession of their ancestors from a young age. They each dream that one day they will take over the farms of their father or grandfather.

La Coupe Stanley à Montréal en 1993(fr)

We Can Be Heroes(en)

Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.

Cool & Crazy on the Road(no)

A follow up to the original "Cool & Crazy" about the men's choir in Berlevåg. Here they go on a trip to the United States, after becoming famous as a result of the first movie.

No Room for Rockstars(en)

With more than 300 hours of film shot during the 2010 Tour, 'No Room for Rockstars' documents the true stories of modern era rock and roll . From the kids traveling cross country in a van playing parking lots to gain notice, to the veteran stage manager whose life was saved by the Tour, to the musician who crosses over to mainstream success while on the road.

La langue est donc une histoire d'amour(fr)

Seven Up!(en)

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

Aconteceu, virou Manchete! A História da Rede Manchete(pt)

Eat the Document(en)

Eat the Document is a documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. Though shooting had completed for the film, Dylan's July 1966 motorcycle accident delayed the editing process. Once well enough to work again, Dylan edited the film himself. ABC rejected the film as incomprehensible for a mainstream audience.

The Save the Children Fund Film(en)

Director Ken Loach explores the politics of race, class and charity in a capitalist society in this documentary funded by the Save the Children foundation.

Lorraine Pintal - So The Light Never Dies(fr)

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.