2022-11-24
8
A killer goes on a killing spree at a heavy metal club.
Thota Ramudu faces opposition when he falls in love with a princess. He then seeks the help of a sorcerer, who secretly plans to sacrifice Thota Ramudu to Goddess Pathala Bhairavi.
Four young friends play hooky from class, and get locked in the school basement by the class snitch.
Tracklisting: 1. Pound for a Brown 2. Baby Snakes 3. Deathless Horsie 4. Dancin' Fool 5. Easy Meat 6. Honey Don't You Want A Man Like Me 7. Keep It Greasey 8. Why Does It Hurt When I Pee? 9. Sofa #2 10. Vinnie's Seal Call Fusion Music 11. Bobby Brown 12. Conehead 13. Dead Air/I'm On Duty 14. St. Alphonzo's Pancake Breakfast 15. Father Oblivion 16. Rollo 17. Bamboozled Outro
Priyamani stars as Suhani, who�s too scared to lead a normal life. She works in a Software company where everyone takes her for granted. One fateful night, she rescues Krishna Prasad (Tanikella Bharani) who�s injured after a car accident. When he wakes up, the two have a conversation where Suhani tells him how she�s scared about everything, of everyone. Having understood her anger and frustration, he �gifts� her, a revolver with one bullet and tells her to take revenge on that one person she hates the most. The rest of the story is narrated in intermittent flashbacks as Suhani recounts the details of her life, people she has met including Sandip (Jagapathi Babu) and hated the most for what they have done to her.
A short film made during film school by Cristian Mungiu.
A collection of horror stories taking the viewer into the dark world of Stephen King, featuring vampires, strange objects and sinister humor. The five 20-minutes tales were all taken from the Tales from the Darkside TV series and strung together as a video feature.
Young Sung Neng Yee, who is brought as part of a wealthy Chinese family. She is eager to become part of Mao Tze Tung's "new society", but soon becomes disenchanted by the economic misery the changes bring to her family. Before long, the authorities become aware of Neng Yee's feelings and she is taken to a labour camp, overseen by the sadistic Colonel Cheng.
After a jeweler hires a private detective to help him find $50,000 missing from his company, he is murdered while attending a society party; and the private eye, aided by his comely secretary, vies with a bumbling police detective to find the murderer among several suspects, including the dead man's daughter, her current husband, her former husband, and an ex-convict.
Reporter Mia Parc is on a mission to capture the legendary Red Hand, a world-renowned bartender who never shows his face.
An Indiana boy comes into an inheritance and moves to New York City, living it up with his girlfriend until he gets in over his head and someone gets killed.
A saloon owner falls in love with the abused wife of a heavy gambler. He is snared into a web of intrigue when an ex-girlfriend is found murdered in his apartment.
Somewhere in the West Bank, Chaim, an Israeli soldier is injured during an accident, losing his memory as a result. When the young man is found wandering lost by a Palestinian villager, he is mistaken for Nasim, a young Palestinian man who has long been disappeared in an Israeli prison.
Agents for the government are after a graduate student and her brother when a secret mysterious box is stolen.
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory
Die Walküre (The Valkyrie), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen, (English: The Ring of the Nibelung). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.
The Bolshoi’s grandiose epic Spartacus recounts the story of a Roman slave’s fight for freedom. With its famous Khachaturian score, since the 1960s it has been considered one of the greatest ballets in the Bolshoi repertoire. The choreography by Yuri Grigorovich fills the Bolshoi stage with dynamic scenes of tension and conflict, and gives full expression to the virility and strength for which Russia’s male dancers are renowned.
The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).
A 2002 live performance of Mikel Rouse's Dennis Cleveland, a multimedia opera set entirely on a television talk show in the late 20th century.
Glyndebourne's wartime history as a home for evacuee children is the ingenious context for a new production of this unclassifiable entertainment in which low comedy and high tragedy compete for our attention, "borne aloft by Strauss's divine music and Hofmannsthal's visionary poetry". At the centre of this production from Katharina Thoma is the noble, tragic figure of the abandoned Ariadne herself, in a haunting performance from Soile Isokoski, 'with brilliant support from the pit' (The Independent).
At the English National Opera, Deborah Warner has been directing Benjamin Britten's final opera, Death in Venice, conducted by Edward Gardner.
At the Opéra Royal de Wallonie-Liège, stage director David Hermann and music director Christian Zacharias lead a production of Otto Nicolai's 1849 opera The Merry Wives of Windsor, a work that draws its inspiration from William Shakespeare's beloved eponymous play.
Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.
Charming, light-hearted and fizzing with subversive wit, Neil Armfield's sparkling production of the marriage of Figaro captures Mozart's most popular Opera. In this classic performance, recorded live at the Sydney Opera House, Patrick Summers conducts a energetic fresh-voiced cast, headed up by baritone Teddy Tahu Rhodes and Taryn Fiebig who make a vivacious, appealing pairing as Figaro and Susanna, while Peter Coleman-Wright triumps as the lascivious Count Almaviva.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
Alain Guingal conducts the Orchestre du Teatro Regio di Torino in this production of Massenet's opera based on the novel 'The Sorrows of Young Werther' by Goethe. Roberto Alagna stars as the titular character, a lovelorn poet whose heart is set on a beautiful young woman of his acquaintance. Unfortunately, the girl in question has already pledged herself to another. How will Werther deal with the thwarting of his romantic ambitions?
Production from Antwerp. The knight Titurel has built a fortress for two sacred objects he has miraculously obtained: thechalice from the Last Supper in which Christ's blood was later collected, and the spear thatwounded Christ on the cross. The chalice is believed to be the Holy Grail that gives life and has apurifying effect on the human race. The Grail has become the focus for a community of knightswho, strengthened by the holy chalice, are willing to fight for the faith. All the knights have takena vow of chastity. However, the Grail King Amfortas, their leader and Titurel’s son, fails to resistseduction by Kundry, a woman with a double life: she is both a Grail messenger and temptressin the service of Klingsor.
The setting of the opera is the enchantress Alcina's island: here by her magic powers she has created a magnificent palace in a beautiful landscape, to lure her many lovers into her power. One of these is Ruggiero, a warrior, who under Alcina's spell has forsaken his duty and his betrothed, Bradamante.
co-production with the Teatro Real (Madrid).
Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.