Ele mesmo
Ela mesma
Ele mesmo
Ele mesmo
2022-08-15
0
A Black American is troubled by the legacy of American slavery and the misuse of Christianity to justify it. He travels throughout Texas discovering how the Juneteenth reveals faith and a fight for freedom in an unjust society.
A film about the close relationship between two brothers. Markus (10) and Lukas (7) live in an old, yellow townhouse in the middle of Oslo. The river runs close to their home. A paradise in the heart of a big city. Here the brothers grow up with their dreams and longings for the future.
Tennessee outsider artist Billy Tripp has constructed a massive steel sculpture for the past 33 years, and is finally setting his sights on retirement. Former Brownsville native Randall Kendrick examines Tripp’s life and work as he builds one of the final pieces of his ever expanding sculpture, The Mindfield.
'Don't build prisons, they cost too much!' In this era of Great Recession, the conservative and tough-on-crime State of Texas takes an unprecedented path by becoming a social justice leader with programs that rehabilitate offenders. Looks like rape, abuse and death are no longer parts of the solution for modern-day Bonnie and Clyde...
The story of those Italian women who, for eighty years, have fought against power in all its forms.
In A Town This Size introduces an Oklahoma town and its long-suppressed tragedy of childhood sexual abuse. The abuser, a prominent and trusted former pediatrician is, through this film and for the first time, held accountable for the actions he cleverly perpetrated. Stories are told through poignant first-person interviews with his victims, their families and professionals. This film brings to viewers an unnerving familiarity with the lifelong devastation resulting from this kind of abuse. Covering events in the 1960s and 1970s and continuing into present times, these personal stories devastate, frustrate and inspire. In A Town This Size moves audiences to confront child sexual abuse as a primary social issue and presses for changes in state statutes of limitation.
An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
Interspersing daily life during the occupation with the fight for rights, the documentary follows the Warao indigenous people and portrays their experiences during a resumption in Betim.
Documentary and reflection about the effects of technology.
There is a 10km wall in Lima that separates the richest neighbourhood in the city from the poorest. For some it is known as the ‘wall of shame’, for others its essential to security. What are the root causes of this massive monument to inequality, how is it that a low income person on one side of the wall is paying twice what their rich neighbour is, on the other side of the wall, for a glass of water
Ante Meridiem is a sensory journey through the first hours of dawn. Kind but vehement, he explores the dichotomy between silence and bustle, patience and haste, taking both to their ultimate consequences.
For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.
A Manobo tribe flees from fear only to find themselves in another dreadful situation: a lockdown due to the pandemic.