Forastero(2022)

Aquí estamos(es)

Good morning, Margarita(es)

«All my mom’s teeth fell out, I’m only going for about three months and I return» was what Pancho dreamed of fulfilling when he crossed the US border without papers, but an accident during the trip transformed his life and his aunt Margarita.

My life about music(es)

Mario is the guitarist of "Duck Fizz", a rock band from La Paz B.C.S. who seeks to achieve success through his own art. However, getting it means having to leave your city for a new home. A decision that modifies their entire environment and lifestyle, but that will also help them to find more opportunities to fulfill his biggest dream, live from music.

Liubov(ru)

Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.

Between Lands(es)

A long time ago, Ana Laura, Gustavo, and Jesús crossed the border in search of a better opportunity. They worked hard, built a family, and made a life in the United States. Day by day, years after their arbitrary deportations to Mexico, they deal with the grief of being separated from their families. As time goes by, the shattered existence of everyone is slowly and inevitably rebuilt, far away and apart from each other.

Pasos ciegos(es)

Afric Hotel(fr)

In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.

Sob o Mesmo Céu(pt)

The Noises of Silence(es)

In the midst of the current crisis in Venezuela, Daniel deals with the difficult decision he had to make. Leaving his family, his girlfriend and his life in his country, while confronting the memories and doubts of what he left behind.

The sun inside(it)

Yaguine and Fodé, two teenagers from African Guinea, wrote a letter to the "European Parlament great leaders", on behalf of all children and teens in Africa, where they ask for help with food, health and education. Ten years later, thirteen-year-old Thabo embarks on an epic journey with his friend Rocco from Bari to return to his own African village of 'Ndula to escape a ruthless Italian gang who are exploiting young football players.

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

The Last Supper(en)

A documentary of burgeoning popstar Frimann's last gig in Liverpool before moving back home to Norway

Telly Savalas Looks at Aberdeen(en)

The star of TV's Kojak takes a look at the history and attractions of the city of Aberdeen, Scotland.

Margaret Sanger: A Public Nuisance(en)

An exploration of the early public debate surrounding birth control, the media's involvement, and the unstoppable Margaret Sanger, in a style mimicking the films of the period.

Remembering Miss Torso(en)

A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Komrades(en)

Interviews with naval and military cadets in Russia explores such topics as male-bonding, hazing, patriotism, brotherhood and alcohol abuse.

The Real Jane Austen(en)

Drama-documentary exploring the life of Jane Austen. Actor Anna Chancellor, a distant relative of Jane Austen, discovers the woman behind the acclaimed novels through readings and reconstructions. Location shots of her homes in Steventon and Chawton and extracts from adaptations of her work are also featured.