In the cobalt mining areas of Katanga in the Democratic Republic of the Congo (DRC), babies are being born with horrific birth defects. Scientists and doctors are finding increasing evidence of environmental pollution from industrial mining which, they believe, may be the cause of a range of malformations from cleft palate to some so serious the baby is stillborn. More than 60% of the world’s reserves of cobalt are in the DRC and this mineral is essential for the production of electric car batteries, which may be the key to reducing carbon emissions and to slowing climate change. In The Cost of Cobalt we meet the doctors treating the children affected and the scientists who are measuring the pollution. Cobalt may be part of the global solution to climate change, but is it right that Congo’s next generation pay the price with their health? Many are hoping that the more the world understands their plight, the more pressure will be put on the industry here to clean up its act.
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For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.
Everyone knows the public archive footage of Hitler. But most of it is silent. What was he saying? Special computer technology enables us for the first time to lip-read the silent film.
A Tear in the Sky takes you on an unprecedented journey into the UAP/UFO phenomenon as we follow a team of world-renowned experts, scientists, and military personnel who will attempt to unravel the UAP/UFO mysteries using state-of-the-art, military-grade equipment, and technology. While the UFO phenomenon has existed since the dawn of recorded history, very little scientific research is accessible to the public. Most of the serious research is conducted by various governments and militaries across the planet; this film is a documentary on how a team of military veterans, scientists, and researchers come together and launch an investigation into this fascinating world of the unknown while providing the data and results to the public.
Chronicling the events surrounding the protests generated by the proposed redevelopment of an empty lot at 105 Keefer St., located at the heart of Vancouver's Chinatown.
While the debate continues about GMOs, Roundup and other toxic pesticides, this powerful film shares remarkable stories of people who regain their health after discovering the secret ingredients in their food and making a bold commitment to avoid them.
In this interview, shot by the Criterion Collection in 2018, Ron Briley, author of 'The Ambivalent Legacy of Elia Kazan: The Politics of the Post-HUAC Films', discusses the origins of the Lonesome Rhodes character in the biographies of populist celebrities such as Will Rogers and Arthur Godfrey. He also addresses the political implications of 'A Face in the Crowd' (1957) within the context of Kazan's career.
An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.
'A Face in the Crowd' was Andy Griffith's first film role; he would go on to be most famous for his folksy portrayal of Sheriff Andy Taylor on television's The Andy Griffith Show. In this interview, filmed by the Criterion Collection in 2018, Griffith expert Evan Dalton Smith discusses the actor's difficulties with the role of Lonesome Rhodes and how it led to his career-defining television show.
In this 2018 Criterion Collection program, screenwriter Jay Cocks and film critic Farran Smith Nehme discuss the adaptation for the film version of 'The Heiress' (1949) of the 1947 play by Ruth and Augustus Goetz, which was itself inspired by the 1880 Henry James novel 'Washington Square'.
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.
A documentary about an old animation technique and the film studio that tries to carry on the legacy. The worlds oldest animation studio still making film with stop motion technique is Nukufilm located in Tallinn, Estland. Here we can follow the work in the studio which was founded in the Soviet era and has survived heavy censorship and global competition.
In a time of hardship, Hobart resident Peter Walsh turns to the secretive platypus for solace, only to discover it is the platypus that need his help to survive in a habitat under threat.
Tarō Okamoto became world-famous by designing the “Tower of the Sun” at Expo ’70 in Osaka. The ideas and problems that came with its creation, however, are intertwined with the evolution of Japanese culture – from the Paleolithic up until modern times. In his documentary debut, director Kōsai Sekine takes us on a philosophical journey that transcends the visual limits of documentaries.