Cuerpos juzgados(2022)

Quand les pouvoirs s'emmêlent(fr)

A Quiet Inquisition(es)

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

Les enfants de Pétain(fr)

A Mile and a Half(en)

Post Dobbs decision the Red River Women’s Clinic was forced to close its doors in Fargo, ND and move a mile and a half across the Red River to Moorhead, MN, into a state with very different reproductive rights legislation, in order to continue providing abortion services as well as other women’s healthcare to a wide region. This is a story of a collective action and resiliency.

Catch Us On The Way Down(en)

A poetic and reflexive documentary approach to reproductive healthcare access in North Carolina, specifically on Indigenous reservations.

The Longest Walk(en)

In the wake of the overturning of Roe v. Wade, a filmmaker is forced to confront the past when s/he returns to Kentucky to film the last abortion clinic in their home state – the very clinic where she sought help after she was raped as a girl years before.

Almerinda, Uma Mulher de Trinta(pt)

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

Town Bloody Hall(en)

Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.

Perfect Image?(en)

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Break the Silence(ar)

Following the death of Amina Filali, a 16 year-old girl who killed herself after she was allegedly forced to marry the man who raped her, a young woman carries a personal investigation into the representation and perception of rape in Morocco. Here rapists are offered to marry their victims as a means to save the "honour" of the family. By liberating the voices of these victims, 475 : Break the Silence gives an unprecedented view of family, the deceit of love, relationships, marriage and honour in urban deprived areas of a country seeking to find its identity between modernity and tradition.

It Was Hot That Day: A Jandiman Story(en)

Enduring 28 days of relentless construction labor, Frank struggles to prep a house for painting amidst Phoenix's scorching pandemic summer.

Maria's Story(en)

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

Women on Trial(en)

"Women On Trail" exposes the innate corruption and sexism in the family court system as children are removed from their mothers and given to fathers who often either don't want them or have been convicted of domestic violence.

Birthright: A War Story(en)

Women are being jailed, physically violated and at risk of dying as a radical movement tightens its grip across America.

To Catch a Glimpse(en)

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.

Return to El Salvador(en)

Return to El Salvador explores the reconstruction of El Salvador, post-civil war. The film revisits the struggles of the nation and examines what drives over 700 Salvadorans to flee their homeland each day, often risking their lives to illegally enter countries in search of a better life for their families. The film also profiles a number of Salvadorans effected by the civil war. One couple, who fled death threats in the 1980s, finds asylum and a political platform in the United States. The film also follows a different couple who, after escaping the war, returned to El Salvador to work with churches and poor communities.

Quatro em Linha(pt)

They Will Not Silence Our Voices(es)

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

Mercedes as Butterfly(fr)

In the suburbs of Montpellier, France, in the spring of 2024, a Roma wedding celebration is about to begin. In the bedroom of a small apartment, Luisa and her cousins meet up to talk about their dreams, their traditions, and their desire for emancipation. The ritual of flamenco dancing became for Luisa a space of freedom.

Tasha Diamant's Human Body Project(en)

Gandhi said: 'Be the change you wish to see in the world.' In this experiential open forum shot at a fringe theater festival, Tasha Diamant, a mother, artist, and educator, models human vulnerability by appearing naked and unscripted. Diamant has bravely chosen to 'be' or embody the humanity we all share: physicality, fragility, mortality. The goal: authenticity, compassion, peace. Engaged audiences connect and participate.