Assimilation Memories(2020)

Nobody Wants Your Film(en)

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Venezuela at Home(es)

Two groups of Venezuelan dancers, while preparing for a dance battle, survive at traffic lights in the streets of Medellín. A group reflection on love, family and identity, far from home.

Walk The Line(en)

More than 37,000 Chinese citizens entered the US illegally via its southern border in 2023, hoping to find a better life in America. Many more are following in their footsteps, often with young children in tow. To reach the Land of the Free, they embark on a most treacherous journey: the migrants first need to reach Ecuador, the country closest to the US that would grant Chinese passport holders visa-free entry. From there, they need to cross Colombia, Panama, Costa Rica, Nicaragua, Honduras, Guatemala and Mexico, all illegally, to reach California. In this documentary series, CNA correspondent Wei Du travels the route with the Chinese migrants, and try to understand why they've been driven to such desperation, and if the American Dream is all it's made out to be.

She Is the Other Gaze(de)

Every encounter with an image, every interaction searches for its own form. She is the other gaze is a collaboration with five female visual artists of an older generation who have been part of the Viennese art scene since the 1970s and engaged in the women's movement. In dialogue with the filmmaker Renate Bertlmann, Linda Christanell, Lore Heuermann, Karin Mack and Margot Pilz share their early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers, the protagonists are a great influence on the contemporary art scene and the self-understanding of younger artists today. With their voices and narratives, they become collaborators passing on feminist thinking and artistic experiences.

Brief Tender Light(en)

At America's elite MIT, a Ghanaian alum follows four African students as they strive to graduate and become agents of change for their home countries Nigeria, Rwanda, Tanzania, and Zimbabwe. Over an intimate, nearly decade-long journey, all must decide how much of America to absorb, how much of Africa to hold on to, and how to reconcile teenage ideals with the truths they discover about the world and themselves.

Stockholms negrer(sv)

The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.

Your Call Is Important To Us(fr)

The only thing colder than a Canadian winter is Canadian bureaucracy (probably). Based on five real life stories, Romy Boutin St-Pierre and Joe Nadeau pay homage to the nation-wide stress headache of phone calls with the government in this surprising short.

Their Houses(en)

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

Black Waters(es)

“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.

Cowboys: A Documentary Portrait(en)

Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.

Grève à Jeune Afrique(fr)

Video Nasties: Draconian Days(en)

The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.

The Panafrican Festival in Algiers(ar)

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Tokyo Poltergeist(ja)

I have captured something unbelievable. Are you brave enough to see real ghosts? 1. The smell of incense sticks in a room 2. Curtains and whiteboards swaying in an empty room 3.vibrating and flashing lighting fixtures 4. wall clock blows 5. don! Don! and the sound or voice that hits the wall violently 6. a mirror that spouts water 7. Human voices and bells that shouldn't be there 8. A ball suddenly thrown from the ceiling 9. white human hand floating in the mirror 10. and finally! A white hand appeared in front of us from a place no human can enter! ! *No CG or editing has been added to the ghost images in this movie.

Le Monde secret de la petite brique LEGO(fr)

An Intervention(en)

Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfriend, Henry, with a mismatched group of acquaintances from back in the day to fill out the guest list.

The Saskatchewan Trilogy Part I(en)

Using home movies, vintage memorabilia, and the straight facts about Saskatchewan, the filmmaker creates an eccentric portrait of the first year of his life, and the province that shaped his identity.

Immigrant Service: Focus on Jesus Duran(en)

After losing her father at an early age, Tina Duran explores the rich history of her father, the story of her ancestors who migrated from Mexico to the United States, and the impact the Vietnam War had on their community.

The FRUSTRATION of SENSE(fr)

The times are fueled by anxiety, and our tweets will not say the opposite. A feeling of the end of the world hangs over our economic model. The frustration, for those who feel it, seems inevitable. The question of meaning has never been so acute. It’s time to talk about it, and who knows, to find answers.

When Paul Came Over The Sea(de)

An unusual friendship in an agitated political context.