
Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)


Himself
Herself
Herself

Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)
2003-02-08
0
5.0A thirty-three-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli.
After starting his career producing religious film shorts, J. Arthur Rank went on to become Britain's first and only movie mogul with his establishment of the legendary Pinewood Studios. Narrated by Michael Caine, THE GOLDEN GONG chronicles Pinewood's rise to success.
7.9A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Documentary about the making of the 1967 Czech film "Marketa Lazarova".
5.0Documentary about Indian filmmaker Satyajit Ray
0.0Documentary filmed on-set during the making of Aki Kaurismaki's "La vie de Boheme"
5.7On-set documentary about the making of the film "Y tu mamá también."
0.0Interview with the French film director, conducted for television in 1978.
0.0A making-of documentary featuring interviews with director Michael Haneke, actor Juliette Binoche, and producer Marin Karmitz, as well as on-set footage of cast and crew of "Code Unknown".
7.0The House That Shadows Built (1931) is a short feature, roughly 48 minutes long, from Paramount Pictures made to celebrate the 20th anniversary of the studio's founding in 1912. It was a promotional film for exhibitors and never had a regular theatrical release and includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.
3.5The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…
In this new program, choreographer Twyla Tharp remembers her collaboration with Milos Forman on Hair and explains how the entire project was put together.
in this new program, editors Lynzee Klingman and Stanley Warnow remember how they were given the opportunity to work on Hair and discuss the type of work they did to meet Milos Forman's requirements for the film.
in this new program, production designer Stuart Wurtzel recalls his initial encounter with Milos Forman and their professional relationship during the production of Hair.
In this new program, James Mangold (Cop Land, 3:10 to Yuma) discusses the enormous impact Milos Forman had on his maturation as a filmmaker.
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.
An interview with Spanish film director Victor Erice, conducted by Hideyuki Miyaoka
0.0Documentary about the making of Italian film director Bernardo Bertolucci's The Last Emperor.
6.9Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.
Documentary about the making of Marcel Carné's 1942 film.