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7.4Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.
7.2On December 23, 2013, former Federal Chancellor Helmut Schmidt will be 95 years old. As the second Social Democratic head of government in the Federal Republic of Germany, he shaped the country like few other chancellors. Even 30 years after the end of his time in government, he is still a highly esteemed expert whose advice and opinions are in demand. He is one of the most popular chancellors among the population and is held in the highest esteem by his party; even his political opponents at the time pay him the greatest respect.
10.0A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.
8.2In Japan, there is an informal agreement between mainstream media and the government that is hardly ever questioned: Journalists are not too persistent in their criticism, in turn representatives of the government grant direct access to select information through press conferences. Isoko Mochizuki, reporter for the Tokyo Shimbun newspaper, has established herself as a spoilsport in this system.
7.1This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."
10.0Grandchild fraudsters scare their victims on the phone with so-called "shock calls". The losses run into millions. Month after month. Many victims are left severely traumatized. But the scam has a weak point. And the izzy team has found it. During a year-long investigation, izzy figurehead Cedric Schild pretends to be an elderly person and supposed victim on the phone. This not only makes for a few laughs, but also drives the perpetrators crazy - at the same time, the editorial team penetrates deep into the structures of the criminal clans. Thanks to more than 1200 minutes of recorded conversations from real shock calls, the izzy film "Die Enkeltrick Betrüger" shows all the tricks used by fraudsters for the first time and thus makes an important contribution to prevention. In cooperation with the law enforcement authorities, the perpetrators are arrested in front of the cameras.
0.0Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.
0.0In a beach town on the coast of Senegal sits a basketball academy attended by the most promising players in Africa. Through the eyes of NBA Academy Africa’s players and staff, “From Africa: Pathways to the NBA” details stories of work on the court and in the classroom, the brotherhood that these star prospects have built, and their pursuit of the NBA dream.
9.0In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
6.0Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.
6.6In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.
9.0In Abby Martin's second feature documentary, Earth’s Greatest Enemy reveals a hidden truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter. Drawing on powerful testimonies from veterans, scientists, and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming, and sacrifice the future for endless expansion. From Alaska’s melting glaciers to contaminated bases across the U.S. and toxic battlefields abroad, Earth’s Greatest Enemy delivers a provocative and unflinching examination of the untouchable institution playing an outsized role in the climate crisis.
6.8NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
7.4A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
0.0As local newsrooms vanish, "News Without a Newsroom" explores journalism's uncertain future in the digital age. Through powerful stories and expert insights, the film examines the collapse of traditional media, the rise of misinformation, and the fight to preserve truth, trust and accountability in an era of disruption.
6.9A film centering on the life and work of Ron Galella that examines the nature and effect of paparazzi.
7.0A compelling look at the dangerous, continuing risks committed journalists face in Mexico, where reporting on their country’s corruption and “narco politics” has led to the silencing and killing of some of their peers.
7.8The German documentary is dedicated to an influential figure of the 20th century: Petra Kelly spent her life campaigning for feminism, environmental activism, human rights and peace. She was a political co-founder of the Green Party in the 1970s and 80s and protested against nuclear missiles in West Germany at the height of the Cold War. Above all, however, she believed that one person could very well change the world and thus rose to become an icon of the peace movement.
Journalist Emily Siu searches for the ghosts thought to dwell hidden in the clouds of incense fume and firecracker smoke amongst the modern Macao metropolis. She encounters people who have learnt the healing arts of the occult but begins to feel the grasp of the supernatural on her own psyche.
"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.