
For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 –15, 2005 at the Guggenheim Museum, in New York City. Seven Easy Pieces examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.

For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 –15, 2005 at the Guggenheim Museum, in New York City. Seven Easy Pieces examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.
2007-02-15
2
Documentary on the work of French caricaturist Jean Ignace Isidore Gérard, better known by his pseudonym Grandville (1803-1847). Based on a text by Dotremont, the film takes us on an imaginary journey to the planet of the "Real People", whose habits and customs we learn about. A satire on the arts and society.
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
9.0Resulting from an ancient volcanic eruption, revered as sacred by the Chalun and Matsun Native American Tribes as the home of the Firebird/Thunderbird (California Condor) a supernatural being of power and strength. Pinnacles represents transcendent moments, spiritual guidance and forging new timelines within interpersonal landscapes.
8.0Video Fanzine featuring: Half Japanese, Redd Kross with Sky Saxon as Purple Electricity, R Kern, Sonic Youth, White Flag, Psycho Daisies, Charlie Pickett, Nick Zedd, Morbid Opera More R&R, Film, Prose. Pencil numbering indicates there was a run of 600 tapes.
This film is the culmination of 4 years of therapy and half a year of production. A man focuses on his identity. A meditation on radical acceptance.
6.0In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.
6.0A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
0.0A silent experimental film, originally made in accompaniment to Josephine Zwaan's '1/4' album release presentation in 2016. The film sees musician Josephine Zwaan persist through a test of endurance, with the foundation of the film being a one-take of her staring deeply into the lens of the camera, haphazardly overlayed and re-framed by graphical elements color-matched to the album's artwork.
0.0A short documentary film functioning as the introduction to the One Minutes x Inter-Architecture Department (Gerrit Rietveld Academy) short-film broadcast episode for Rietveld TV, as aired on SALTO. This broadcast was meant to give an artistic impression of a communal art-project developed by the Inter-Architecture Department for the municipality of Amstelveen, The Netherlands. This short documentary film introduces each duo placed and posing at their respective project-based locations, spread out over Amstelveen, through purposely awkward still-but-moving vignettes. The duo's are reintroduced several times in quick succession, with each consecutive appearance showing more of an awkward inter-personality, meant to evoke a certain liminal playfulness. An overpass, a bridge, a bridge-barrier, a docking port, the border between Amsterdam and Amstelveen, the edges of Amsterdamse Bos, an abandoned railroad.
0.0"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "
0.0"Water reflections are never static, its fluid form constantly plays with the light in new and totally unique ways. Trying to capture this process naturally leads to an imperfect representation. Embracing this, ‘a puddle of water held in shape by my thoughts’ plays with the materiality of the digital image with the border between digital grain and the movement of the water constantly blurring. This ongoing research project consists of clips recorded over the last two years. - During the Leaving Space exhibition (2024) the work was presented as an installation using an old LCD screen, a wash-stool and other spacial elements. The space where the screen was installed could only be observed from the outside through the glass doors but not entered.
0.0A short mock-vlog film explaining and defending the concepts behind the fictional 'Death To Straight White Men 2017' clothing brand. Edited in a way that mocked the trends of Youtube vlogging and apology-videos of the time, including sound effects and interjected fast-moving graphics. "After QnWF-société received an overwhelming amount of negative feedback following the launch of their 'Death To Straight White Men 2017' clothing brand, their CEO felt the need to create an apology video of sorts - explaining and defending the concepts behind their latest line of clothing."
0.0"Inspired by my countless walks in the Middelpolder, the video mirrors my text ‘Dream of a Dutch Sky’, unfolding the Dutch landscape through three different perspectives: the camera’s , the protagonist’s and the plane’s, capturing a wanderer’s stroll."
0.0Aida Ra Mana invites you to explore a sci-fi universe set in the year 2044. In this imagined future, the story revolves around three aliens whose deep friendship unfolds in a world dominated by military rule and stringent restrictions. Through this work, Aida Ra Mana poses profound questions about resilience and the human spirit. How do we create joy and humor when faced with pervasive limitations and diminished opportunities? What does it mean to nurture friendship and creativity in an environment where one must constantly conceal their magic and beliefs from an authoritarian regime? By blending elements of science fiction with poignant social commentary, Aida Ra Mana's universe serves as a mirror to our own society's challenges and a testament to the enduring power of joy and laughter in the face of adversity.
0.0What begins as a spatially abstract, weightless situation transforms into a mediation of geography, culture, and history. Filmed transcontinentally between Singapore and The Netherlands, Control emphasizes the idiosyncratic texture of a common, fragmented consciousness.
0.0‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.
0.0An experimental short where one's footsteps create sound on a piano, creaks and all.
0.0A recently hatched turtle, made of sand and by hand, returns to the sea.
0.0Performance documentation of Mees Joachim's 'Homophobe', a 10 minute live-reenactment of a scene from 'E Kolór Korrá' (2017). A juxtaposition performed as minimally as possible. A destructively interpretive dance, literally shattering bones whilst forcefully dropping on the ground. A pre-cursor to their 'The Scaphoid Fracture' (2017) performance.