

An experimental short where one's footsteps create sound on a piano, creaks and all.
Feet

An experimental short where one's footsteps create sound on a piano, creaks and all.
2018-05-18
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A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.
0.0A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.
0.0My Trip to Miami follows a well-meaning, misguided, tourist as he tries to self-actualize via Trip Advisors algorithmic script. My Trip to Miami is a documentation of a fantasy, a failure in image-based expectations.
McGuire constructs a murky black and white soap-opera world of endless, timeless, and placeless limbo, where the characters talk to each other entirely in clichés, bad poetry, and other contrite forms of speech — a short TV show in which nothing is resolved. The video culminates in an absolutely stunning monologue performance by legendary underground film and videomaker George Kuchar.
Documentary on the work of French caricaturist Jean Ignace Isidore Gérard, better known by his pseudonym Grandville (1803-1847). Based on a text by Dotremont, the film takes us on an imaginary journey to the planet of the "Real People", whose habits and customs we learn about. A satire on the arts and society.
0.0A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
0.0A witch appears in the south of the city, recites a poem, performs a spell and vomits the world.
0.0DVD accompanying the book "Coyote III", documenting Joseph Beuys and Nam June Paik performing at the Sôgetsu Hall in Tokyo on the 2nd of June 1984. Nam June Paik sits on one side of the stage playing European classical music, improvisations and Japanese folk music. On the other side, Joseph Beuys acts out experiences from living in an enclosed space with a coyote - a free man who turns back into an animal, into a form of life that he understands as a prerequisite for this freedom
0.0Video, music, dance, graphics, modelling... that's what Kyupi Kyupi is, a video + performance group that goes beyond the boundaries of all genres. The members are headed by graphic designer Koichi Emura, sculpting and 3DCG artist Masatsuka Kimura, multi-talented singer Asami Wakeshima, and filmmaker Yoshimasa Ishibashi. The culmination of 6 years of Kyupi Kyupi. Super permanent DVD "Kyupi Kyupi The Best" containing cute and erotic images is finally on sale! Re-editing and condensing a number of video works comprising the entire trajectory of Kyupi Kyupi, from the first live performance in Kyoto in 1998 to the long-run performance of "Cabarotica" in 2003. You can now thoroughly enjoy the rich world of Kyupi Kyupi.
5.7A dramatic comedy following a Korean American performance artist who struggles to be authentically heard and seen through her multiple identities in modern Los Angeles.
0.0During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."
10.0A one night only global performance experience, presented by Moment House, where Halsey performs tracks live for the first time from her new album, "If I Can't Have Love, I Want Power".
0.0Bustoni, a performing arts worker who lives with his mother who are dying, has a question that distract his life. What will happen to a woman after death?
0.0Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.
0.0A series of filmed interviews with Rebecca Horn, performance artist, filmmaker and sculptress whose work explores the themes of sexuality, human vulnerability and emotional fragility.
Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
7.1Offbeat performance artists The Blue Man Group have finally been captured live on this disc that features concert footage, three full-length music videos and three songs from Blue Man Group's album, "The Complex." The live footage was filmed during Blue Man Group's successful and widely acclaimed August 2003 rock tour, where they wowed 9,000 fans in two sold-out concerts.
0.0In the first 58 minute Performance, Relation in Space, which took place in July 1976 at the Biennale in Venice, Abramovic/Ulay, both naked, walk towards each other from opposite ends of a room, touching as they pass each other, and then they repeat the movement while their bodies collide and one of them (Marina) falls over under the impact, until they are both exhausted. A statically mounted video camera simultaneously filmed the touching of the bodies in the middle of the room.