Caste Aside is a documentary about the British government's controversial decision on whether or not to introduce legislation against caste discrimination in the UK. Highlighting both sides of this heated debate, the documentary speaks to Dalit rights activists, Hindu community leaders, academics and lawyers, as well as those who say they have been discriminated against on the basis of their caste - here in Britain.
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Rita Semel, interfaith pioneer and Jewish activist, is a recipient of the San Francisco Foundation Community Leadership Awards "for her life-long successes in creating healthy, just, and inclusive communities in the Bay Area and worldwide. She builds bridges of understanding between diverse religious and ethnic communities, and brings together the interfaith community to help alleviate poverty and end discrimination. Her catalytic leadership is felt far and wide, from the San Francisco Interfaith Council to the Global Council for the United Religions Initiative. Her legacy will be a more peaceful and compassionate world." - San Francisco Foundation
In 2016, after the hate-fuelled murder of a woman in Gangnam, young feminists gathered to talk about their experiences, which led to the ‘tsunami’ of the feminist movement reawakening in Korean society. This tsunami included street protests against misogynistic hate crimes, political campaigning in the upcoming presidential elections, protests against sexism and sexual violence in everyday life, and the ‘black’ protests calling for the abolition of the anti-abortion law. The Fearless And Vulnerable focuses on the activities and members of the Feminist Party (known in Korean as “Femidangdang”), a feminist group that was part of this tsunami wave. The pleasure and sincerity with which they conduct their activities are compounded with their courage in the face of conflict, and the sense of fear that permeates the community. The film shows Femidangdang meetings as well as the daily lives and thoughts of members during their activities post-2016.
An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.
The saga of fitness, which exploded in the 1980s and contributed, in its own way, to liberating women's bodies.
In the 1990s many people in Kurdistan were taken into custody and interrogated under torture; their killers disposed of the bodies by throwing them out of helicopters, or burying them in acid-filled wells. Thousands were murdered/disappeared by paramilitary forces—such as Jitem and Hizbul-Kontra—that were financed and supported by the state, though they have always stuck to the line: “We didn’t do it.” The documentary looks at the case of seven people, including four children, who were disappeared from the town of Kerboran [Dargeçit] in 1995, and tells the story of their families’ tireless search for their bones
Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.
This documentary explores the history of Canada’s first major migration of non-European and non-white refugees who arrived in 1972 when Ugandan President Idi Amin expelled all South Asians from the country. Their story of struggle and hope became part of Canada’s conversations about refugees and cultural pluralism, and informed the Canadian response to future refugee movements.
What would American democracy look like in the hands of teenage girls? In this documentary, young female leaders from wildly different backgrounds in Missouri navigate an immersive experiment to build a government from the ground up.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
An analysis of the rise of the European far-right, increasingly present in both politics and everyday life: an inquisitive journey through France, Germany and Belgium.
Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.
Behind The Looking Glass is a film about the lives of women whose partners have or want to ‘transition’. While we hear a great deal of “stunning and brave” stories of men, there is a deadly silence when it comes to the stories of the wives or partners. This film will be the first of its kind in collecting such experiences of women from around the world.
The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.
A staged film where over 100 cyclists cycle towards the camera.
Banned since 1993 in France and Germany, does the PKK still represent a danger? A dive into the heart of a complex geopolitical issue, where the fight for freedom, manipulation and pressure are intertwined.
The stories of a group of Latina migrant mothers whose kids have been taken away by an unfair system in Italy.
In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.
From the moment we got engaged and set a wedding date, we began thinking about the reasons we chose one another. What was so special about this relationship that we decided to spend our lives together? Would our love be the same if we were born in another time or at another place? What is love exactly? Driven by those questions, we decided to embark on a one year journey around the world to research whether love, one of the highest values in our lives, is universal, or it is completely conditioned by the circumstances around us.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.