Bride of Trailer Camp(2001)

$avvy(en)

$avy investigates the historical, cultural, and societal norms around women and money.

War Dance(en)

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

A Motorcycle Saved My Life(en)

The open road presents a point of departure for director lori lozinski to process deep-seated grief. Revisiting the formative experiences that drove her ambition, lozinski examines the influence of her parents in the present light of day.

The Stand(en)

Mixing animation with a wealth of archival footage, Chris Auchter’s film explores the 1985 dispute over clearcut logging on Haida Gwaii. On one side are Western Forest Products and Frank Belsen Logging, who plan to engage in clearcut logging on Tllga Kun Gwaayaay (Lyell Island) and are supported by the BC government. On the other side is the Haida Nation, which wishes to protect its lands against further destruction. The confrontation involves court proceedings and a blockade, and Auchter takes us from canny retrospective commentary to the thick of the action.

The Judge(en)

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Island Home Country(en)

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Afro Promo(en)

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

In These Pages(bn)

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

Beyond Ratings(hi)

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

The Last Season(en)

In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.

Going Attractions: The Definitive Story of the Movie Palace(en)

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

Twisted Sex Vol. 5(en)

Twenty-third volume of Something Weird Videos on going series in their collection of American and European sexploitation trailers from the 1950s to the 1970s.

Because We Have Each Other(en)

Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.

We Exist Triply(en)

A sock puppet explores a family history told from the perspective of a mother and father.

Trailer Camp(en)

Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.

We Were The Scenery(vi)

At the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled to the Philippines in a makeshift boat. The couple were then recruited as extras during the filming of Apocalypse Now.

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman(en)

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

Wallpaper(pt)

Mad Ron's Prevues from Hell(en)

Deranged projectionist Mad Ron shows a movie theater full of rowdy zombies a diverse assortment of horror and exploitation film trailers from his private collection while ventriloquist Nick Pawlow and his foul-mouthed zombie dummy Happy Goldsplatt provide lowbrow comic relief.

Trailers Schmailers(en)

From the Marx Brothers to Schindler's List, this compilation of Jewish film trailers offers a glimpse at the history of Jews in American cinema. A mixture of humor, social commentary, and drama, these original coming attractions trailers offer insight into the relationship between Hollywood's studio marketing departments and the growing visibility of Jews in American life. Trailers Schmailers includes spotlights on Woody Allen and Barbra Streisand, an overview of films about New York Jewish life, a look at the evolution of films about the holocaust, and more.