Boy Dallas lives in the slum of Kibera, the capital of Kenya, Nairobi. He is a radio host, "The Voice of Kibera." Dallas is a self-taught cameraman, and with a spare camera, he sets out to find out why the neighborhood, which has long been the target of aid, is still in such terrible trouble.
Boy Dallas lives in the slum of Kibera, the capital of Kenya, Nairobi. He is a radio host, "The Voice of Kibera." Dallas is a self-taught cameraman, and with a spare camera, he sets out to find out why the neighborhood, which has long been the target of aid, is still in such terrible trouble.
2015-12-14
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Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.
Megacities is a documentary about the slums of five different metropolitan cities.
A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.
A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.
A man emerges from the slums of Rio to lead the nonviolent cultural movement known as Afro-reggae.
For the first time in history, a white man has been invited to become a Massai Warrior. The Massai of East Africa are one of the last tribes on earth to live as they did hundreds of years ago. Benjamin will live among the tribe, sleeping, hunting, and surviving in the bush. He will get to know their culture, their customs of dancing and playing, and learn how to conquer the dangers of the wilderness. Will he be able to become a true Massai warrior? To become a Massai is a great journey into the unknown.
The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.
When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he meets a group of transgender friends. Together, they fight discrimination and discover life, love and self-worth.
Documented in television documentaries for over 40 years by the BBC and other broadcasters around the world, the Marsh Pride is the most filmed pride of lions on Earth. In this film, the Marsh Pride battle for survival in Kenya's famous Maasai Mara Reserve, which has become a magnet for tourists, many of them keen to see the pride for themselves. A tale of shifting loyalties, bloody takeovers and sheer resilience, the lions’ story is told by those who filmed them, tried to protect them and lived alongside them, as well as some who ultimately wanted them dead.
In the Kenyan bush, a crackdown on ivory poaching forces a silver-tongued second-generation poacher to seek out an unlikely ally in this fly-on-the-wall look at both sides of the conservation divide.
Favela Gay tells the story of eleven individuals in their own words. Living in eight slums (favelas) in Rio de Janeiro, these members of the LGBTQ community – two transgender women, a crossdressing man, a travesti prostitute, a famous carnival dancer, two community activists, and even a young man who used to be transgender, but transitioned back – have fought prejudice and seen some of the most unsavoury sides of the city.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
This documentary provides a window into the extraordinary life of activist and Nobel Laureate Wangari Maathai, a Kenyan woman who has worked to regain ownership of her country and its fate after years of colonialism. While gentle and thoughtful, Maathai carries a powerful message: the First World holds much of the responsibility for the environmental, economic and social struggles of the developing world.
Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
Lions, leopard, cheetah, hyena, wild dog and crocodile - extraordinary scenes of super predators hunting. The Super Predators was filmed over three years at Londolozi Game Reserve in South Africa and on Kenya's Masai Mara. It captures some of the most extraordinary scenes ever seen on film of these super predators hunting and killing. Dramatic slow-motion action replays allow the viewer the opportunity of observing all the subtleties of these magnificent hunters in action. The film includes a plea for the world's most notorious predator, man, to work in closer partnership with nature for our mutual benefit and survival.
Hapon is an 8-year-old survivor in the slums of modern Manila, scratching out an improvised existence at the margins of society. This rawly shot documentary follows Hapon and his mates as they swagger around their dilapidated universe. Featuring a punk-rock score by director Khavn's band the Brockas, the film captures a carefree spirit in the children that completely belies the squalid conditions in which they live.
In one of the world's largest and oldest refugee camps, Dadaab, the inhabitans survive by watching films and dreaming. The refugees cannot leave the camp, but they let their minds escape the harsh reality: by going to the simple cinema hall run by Abdikafi Mohamed, the film's protagonist.
In Africa, poachers brutally maim and kill elephants for their ivory, much of which is exported to China or smuggled into the United States. The profits help fund terrorist organisations, and are used to buy guns and artillery. WILD DAZE takes an unflinching look at these problems from various perspectives, and shows how the slaughter has decimated the elephant population, left survivors traumatised, and seriously harmed the forests of Eastern and Southern Africa.