
Portrait of a Mexico City neighborhood where pages and pages are printed, and little by little, words appear. Máquinas de Palabras is a performance created in March 2023 in Mexico City, and is the result of a collaboration between Labo K (Rennes-based film laboratory) and LEC (Laboratorio de Cine Experimental) in Mexico City. A portrait of a Mexico City neighborhood where pages and pages are printed. And little by little, words appear... "From the deliberate use of found images to films that make uncompromising use of raw material, the camera and the plants will take our eyes... Pupils will certainly be illuminated by the projector... How can moving images stay in our heads?"

Portrait of a Mexico City neighborhood where pages and pages are printed, and little by little, words appear. Máquinas de Palabras is a performance created in March 2023 in Mexico City, and is the result of a collaboration between Labo K (Rennes-based film laboratory) and LEC (Laboratorio de Cine Experimental) in Mexico City. A portrait of a Mexico City neighborhood where pages and pages are printed. And little by little, words appear... "From the deliberate use of found images to films that make uncompromising use of raw material, the camera and the plants will take our eyes... Pupils will certainly be illuminated by the projector... How can moving images stay in our heads?"
2023-03-22
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0.0STRATA INCOGNITA, is a trans-scalar and trans-temporal journey across the geographies that articulate soil as an agro-industrial infrastructure, but also as an ecosystem and a somatic archive of crimes, memories and myths.
3.0What could possibly be more important than feeding your daughter?
0.0Actors Isabella Lafin and Rafael Grendene reharsing a scene from the movie Marriage Story (2019).
6.0Dialogue between a man from Earth and an alien about the advantages and darker sides of earthly civilization.
9.0Seven actors are brought to an isolated house where they must stay in character for three days under constant surveillance.
0.0Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.
A film inspired by a visual representation of trauma and the journey towards healing. It delves into the symbolic language of the cosmos and the natural world to express the complex emotions associated with trauma.
0.0This video takes a particular viewpoint, with the camera placed behind a zone of blur. Slowly, we experience the perception of an expanded time. An expectation is created and resolved in the observation of the passage of boats that dissolve into the nebulousness, disappearing from our sight like a mirage.
0.0It is said that if a man is fading away, he sees his life running quickly in front of his eyes. What does a hundred-year old film strip see before it gives way to digital vehicles? Does it see broken frames, scratched film stock or something else? This is a film about time and its ephemeral nature.
0.0Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
0.0A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?
0.0Breathe deeply: in 3 years, your molecules will circle Earth, as today’s oxygen came from nature.
0.0To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
0.0A homogeneous structure of wind and light across tree branches in the South region of Isère
7.2This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
0.0Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.
0.0"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins