Rua dos Lagares(2017)

Quartiers sous tension(fr)

EVERYTHING MUST GO(en)

In a city consumed by gentrification, artist João Fiadeiro and the company he keeps postpone and embrace the end at the house they inhabited for the last decades. By vacating, they occupy; by disbanding, they stay together; by celebrating, they reclaim a 30-year-old project from disaffected national politics. What remains when everything must go? How does one keep on?

Cruel Architecture, a Tool of Gentrification(en)

A short documentary shot in November 2021 in Berkeley. It reflects on the ethos of privatization in American culture and how public spaces are being built to exclude people through cruel architecture. The context used is the gentrification circle around the University of California Berkeley intended to build student housing. An eye-opening journey that explores structures and elements you would never have stopped at.

Tell Them We Were Here(en)

Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.

I Am Gentrification. Confessions of a Scoundrel(de)

Is the city of Zurich suffering from ‘density stress’? What is it like to live in mega cities such as São Paulo, Mexico City and Tiflis? Filmmaker Thomas Haemmerli broaches the topics of city development, architecture, density, housing market, xenophobia and gentrification from an autobiographical perspective. The path of his life has led him from a childhood in the villa district of Zürichberg, through his teenage years as squatter to flat shares, yuppie apartments and finally second homes in various cities. Only recently having become a dad, he plans to further enhance Zurich’s price appreciation by purchasing a huge, extended city apartment… This multifaceted essay not only humorously questions the filmmaker’s decisions, but also those of the right-wing conservatives, who are afraid of losing their space to immigrants, and the political left, who fail to embrace modern-age architecture.

Fading Frequencies(el)

In the dilapidated industrial buildings in Upper Ladadika or in the wider area of Valaoritou in Thessaloniki, bands and creators flourished for over four decades. Rooftops, music studios and rehearsal halls with the decibels turned up created the space and time for a continuous explosion of cultural action, personal and collective expression. Through the eyes of the musicians and individuals who continue to shape the city's underground music scene, we see how all this creative expression is increasingly threatened by the ongoing process of displacement due to gentrification. We discuss Thessaloniki, music, the future and the resistance that can be born.

Allesandersplatz(de)

Artists, urban planners and the city of Berlin trying to transform a former GDR ruin into a place for new visions and concepts of city - a place where everything is different than before?

Empire City(en)

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

Dear Little Haiti(es)

A love letter to a place that will forever be home, a visual ode, and a farewell to a neighborhood that is rapidly changing due to the forces of gentrification and Miami’s housing crisis.

Seattle Freeway Revolt(en)

In the 1950s, Seattle had plans to build one of the densest networks of freeways in the world. It would have displaced thousands, especially the poor and people of color. Over the next two decades, a broad coalition of communities came together and halted these plans. Testimonies from that era are juxtaposed with interviews of activists who participated in the revolt, giving a picture of what Seattle could have been had the people not stood up to the highway lobby and their representatives.

Ramps to Nowhere(en)

A film about the cross coalition of communities that stopped a planned network of freeways from being built in Seattle in the late 60s and early 70s. It weaves together archival material with the filmmaker's personal narrative about living next to freeways, and features interviews with participants from the freeway revolt.

Whispers of Concrete(es)

In recent years, the Marga Marga Province has witnessed a drastic change in the visual and sound landscape due to urban expansion. Faced with the observation and the need to explore the territory that seems more and more alien and less and less our own, the film functions as a material resource and support for plastic reflection on living in the midst of capitalist progress.

Moving Day(en)

Moving Day tells the story of the people who were left outside – quite literally – during a global pandemic. With the rise of Covid-19, shelters closed, jobs were lost, and homelessness in "Victoria B.C." (unceded L'kwungen Territories), swelled. A community formed in the city’s biggest park and as they learn of an ambitious plan to house everyone by March 31, 2021, uncertainty in the park, and in their lives mounts.

Mijn Noord(nl)

The working-class Tuindorp Nieuwendam neighborhood in Amsterdam-Noord is like a village within the city. Many natives of the Northern Netherlands still live in the characteristically built houses, a unique variation on the Amsterdam School. With humor and Amsterdam directness, they share their stories about what's happening in their lives and in the neighborhood. Recently, a new generation of residents has also discovered the Noord district. How do residents view these changes and the neighborhood's transformation? Was everything better in the past, or are new connections emerging between residents, old and new?

We Came to Sweat(en)

Facing eviction the oldest black-owned gay bar in Brooklyn relies on a passionate community in its fight for survival.

There's No Place Like This Place, Anyplace(en)

Over the course of over six decades, Honest Ed's became a Toronto Landmark. The neighbourhood it left behind when it closed its doors in 2016 reflects on its history and legacy.

There Goes the Neighborhood(en)

An extended Black family living in View Park-Windsor Hills, California experience changes due to gentrification and reflect on their shifting community.

Die Stadt als Beute(de)

Berlin is changing. The film maker interviewed and accompanied real estate agents and investors and filmed tenants struggling to cope with the situation.

Whose Barrio?(en)

Jose Rivera is a lifelong resident of Spanish Harlem (El Barrio) but is afraid that gentrification will force him out. James Garcia has just bought an apartment across the street from public housing and wonders why locals resist his moving into the neighborhood. James Barrow worries that a construction project in an empty lot behind his building will threaten his apartment. Oscar Dominguez and Movement for Justice in El Barrio protests against gentrification. A town hall meeting pits community members against a City Councilwoman who supports a massive development project in East Harlem.

The House that Love Built(en)

In 1980s Brooklyn, a resilient family, evicted from public housing, refuses to succumb to homelessness or welfare. Instead, they construct their own home-one scrap of discarded wood at a time.