

In the dilapidated industrial buildings in Upper Ladadika or in the wider area of Valaoritou in Thessaloniki, bands and creators flourished for over four decades. Rooftops, music studios and rehearsal halls with the decibels turned up created the space and time for a continuous explosion of cultural action, personal and collective expression. Through the eyes of the musicians and individuals who continue to shape the city's underground music scene, we see how all this creative expression is increasingly threatened by the ongoing process of displacement due to gentrification. We discuss Thessaloniki, music, the future and the resistance that can be born.

In the dilapidated industrial buildings in Upper Ladadika or in the wider area of Valaoritou in Thessaloniki, bands and creators flourished for over four decades. Rooftops, music studios and rehearsal halls with the decibels turned up created the space and time for a continuous explosion of cultural action, personal and collective expression. Through the eyes of the musicians and individuals who continue to shape the city's underground music scene, we see how all this creative expression is increasingly threatened by the ongoing process of displacement due to gentrification. We discuss Thessaloniki, music, the future and the resistance that can be born.
2025-03-21
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the ghost of a world that could be free
6.8Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.
7.1The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
0.0The twelfth edition of the International Meeting of Collective Architectures was held in Palma de Mallorca, in the neighborhoods of La Soledat, Nou Llevant and Es Molinar, at the end of September 2019. The meeting focused on the imposition of false paradises and the description of the current mechanisms of urban transformation that expel people from their neighborhoods.
0.0A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.
9.0A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
7.0A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
Jose Rivera is a lifelong resident of Spanish Harlem (El Barrio) but is afraid that gentrification will force him out. James Garcia has just bought an apartment across the street from public housing and wonders why locals resist his moving into the neighborhood. James Barrow worries that a construction project in an empty lot behind his building will threaten his apartment. Oscar Dominguez and Movement for Justice in El Barrio protests against gentrification. A town hall meeting pits community members against a City Councilwoman who supports a massive development project in East Harlem.
0.0In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.
4.1Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.
6.1On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
6.0Berlin is changing. The film maker interviewed and accompanied real estate agents and investors and filmed tenants struggling to cope with the situation.
0.0An extended Black family living in View Park-Windsor Hills, California experience changes due to gentrification and reflect on their shifting community.
0.0Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.
10.0In 1959 New York City announced a "slum clearance plan" by Robert Moses that would displace 2,400 working class and immigrant families, and dozens of businesses, from the Cooper Square section of Manhattan's Lower East Side. Guided by the belief that urban renewal should benefit - not displace - residents, Frances Goldin and her neighbors formed the Cooper Square Committee and launched a campaign to save the neighborhood. Over five decades they fought politicians, developers, white flight, government abandonment, blight, violence, arson, drugs, and gentrification - cyclical forces that have destroyed so many working class neighborhoods across the US. Through tenacious organizing and hundreds of community meetings, they not only held their ground but also developed a vision of community control. Fifty three years later, they established the state's first community land trust - a diverse, permanently affordable neighborhood in the heart of the "real estate capital of the world."
Don't Bring A Dog shows a part of the New York underground music scene - rooted in the early eighties - existing apart from MTV and billboard charts. Music, interviews, sounds and pictures of the city blend into a collage. Don't Bring A Dog works like a time capsule of people and music in NY at a particular moment
0.0Artists, urban planners and the city of Berlin trying to transform a former GDR ruin into a place for new visions and concepts of city - a place where everything is different than before?