Eating(1969)

Yo creo que...(es)

Gondora(ja)

A short movie about a guy living in his own world.

Inclined Horizon(ja)

“My attempt at a filmic interpretation of Haraguchi Noriyuki’s ‘Inclined Horizon,’ a three-dimensional physical work featured in the ‘Dance Hakushu 2006’ exhibition held in the Hakushu district of Hokuto City, Yamanashi Prefecture. Haraguchi’s work was modeled out of earth that will return to its original form after about a month, and my aim was to resurrect the concept of this work on film.” - Yo Ota

About Buenos Aires(es)

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Roundabout(sh)

Short experimental 16mm film.

Ahasverus(sh)

Short experimental 16mm film.

Sabath(sh)

Short experimental 16mm film.

The End of Time(en)

An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.

La Maison en Petits Cubes(ja)

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

Serpent’s Skin(fa)

Based on D.H. Lawrence's "Lady Chatterley's Lover" and one of the pioneering films of the Iranian New Wave

Luzern Viper(de)

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vampire on the boat) has been degraded and abstracted through the bacterialogical decomposition, disintegration, and chemical processes Schmelzdahin would use.

Sincerity V(en)

This, then, finishes eleven years of editing drawing on 30-some years of photography. I will surely work autobiographically again, but the modes of SINCERITY and DUPLICITY seem completed with this film which on the one hand is as simple in its integrity-of-light as those follow-the-ball "sing-along" early silent movies and on the other as complicated as teen-age metamorphosis. Childhood dissolves in flame, struck from the hearth.

You Speak of Flins(fr)

A group of leftist activists expose the exploitation of immigrant workers by a criminal network with connections to local government officials. The movie was produced by the group SLON (Société pour le Lancement des Oeuvres Nouvelles, also the Russian word for elephant). SLON was a film collective whose objectives were to make films and to encourage industrial workers to create film collectives of their own. Its members included Valerie Mayoux, Jean-Claude Lerner, Alain Adair and John Tooker, and Chris Marker.

Highs(en)

Mid-period Brakahge short. "Haiku cartoons."

Centre(en)

"...Series of narrative events, stories if you like, but so clustered visually as to have a center so to speak, slightly off center."

Rembrandt, Etc., and Jane(en)

The following films were all made in 1976. I do not wish to describe them. —SB "Two portrait sketches and two nondescript."

Cloud Chamber(en)

This hand-painted step-printed film begins in a field of white light slightly bespeckled with ephemeral glazes of flecks of silver which gradually give way to pale suggestions of pastel colors. These take shape occasionally and flicker the forthcoming bits of solid colored and multiply formed abstract images, a few brief sequences-of-such intersperced with the cloud-suggestive silvered passages as at beginning, which eventually end the film.

In(en)

A woman is obsessed with a mysterious black box.

Six Insects(en)

The behaviour of ants, wasps, and other insects as enacted by humans.

Portraits(en)

Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. The music is by Steve Reich.