OHM+: The Early Gurus Of Electronic Music : 1948–1980(2005)

A Bright Nowhere: Journeying Into Improvisation(en)

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.

VIET≈NAM ≈ HANOISE(en)

Hanoise is a portrait of the little known, but very rich, experimental music scene from Hanoi, the capital of Vietnam. It showcases a diverse array of the city's musical mavericks and avant-garde explorers, merging the sounds of the city and the experimentations of a young community braving the local cultural prohibitions.

Electronic Awakening(en)

A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.

Clara Rockmore: The Greatest Theremin Virtuosa(en)

Quite simply the finest theremin player who has ever lived, Clara Rockmore began her performing life as a violin prodigy at the age of 5 years old, still the youngest person ever admitted to the prestigious Imperial Conservatory of Saint Petersburg where she studied under the great Leopold Auer. Due to childhood malnutrition causing bone problems in her teen years, she was forced to give up the violin and moved to New York City in the mid 1920's where she met and became involved with Russian electronics genius Leon Theremin and helped him to refine and perfect his new instrument, giving advice from the standpoint of a musical performer to make the theremin more playable and developing her own hand techniques and exercises for playing the instrument.

Fever Ray | Live at Sydney Opera House(en)

More than two decades after reshaping electronic music as one-half of The Knife, Swedish avant-pop artist Fever Ray brought their radical sonic vision to Sydney Opera House at Vivid LIVE 2024 for their highly anticipated Australian debut. From the spectral synth beats of The Knife to the shapeshifting pop soundscapes of their solo work, Swedish avant-garde alchemist Karin Dreijer – aka Fever Ray – carved a singular, uncompromising path through 21st-century electronic music. Following The Knife’s wildly successful third album, Silent Shout – named by Pitchfork as the best album of 2006 – Fever Ray released their 2009 self-titled debut, a modern masterpiece of haunting, left-field electro-pop. It was followed by 2017’s Plunge, which found Dreijer embracing their newfound queer identity through a set of irresistibly sensual, alien pop songs.

Armin Only: Imagine(en)

Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.

Lindsey Stirling: Brave Enough(en)

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

FUCK TV(en)

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Dan Mangan is the Least Cool Thing(en)

This contains found footage that was leaked without Dan Mangan's consent. The world deserves to know who Dan Mangan really is. Please share this widely so that everyone knows the truth about Dan Mangan.

Outtakes from Jo(en)

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

Ryuichi Sakamoto + Alva Noto: The Glass House(en)

Music live performance of Ryuichi Sakamoto and Alva Noto at the Glass House.

Romantic Warriors IV: Krautrock (Part 2)(en)

Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.

SIN PIEDAD(es)

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

Boom Festival - We Are One(en)

Boom Festival - We Are One (Official Release) 2006

The Goddamn Tooney Lunes(en)

A group of geeky teens in backwoods New Hampshire start a punk band as a way to make sense of their high school angst, raging hormones, and raucous personalities. When they accidentally attract a cult following and become local town legends, they struggle to balance their wayward persona with the looming pressures of adulthood.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Moon Valley Quest(en)

In 1988, a video game geek and failed musician is recruited by a retired battle general to defeat an evil beast and his gang in order to restore the freedom of Moon Valley's citizens in this music driven fantasy action adventure.

And The Heads Keep On Movin(it)

Into the Clouds We Gaze(cs)

A gentle love story from the harsh environment of northern Bohemia.

Speaking in Code(en)

Shot in 11 cities and 5 countries, Speaking in Code provides a glimpse into the world of electronic dance music through the eyes of Modeselektor, the Wighnomy Brothers, Philip Sherburne, Monolake and David Day. Director Amy Grill documents their successes and failures over a three-year period.