In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
2007-09-04
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In 1981, a film about the misadventures of a German U-boat crew in 1941 becomes a worldwide hit almost four decades after the end of the World War II. Millions of viewers worldwide make Das Boot the most internationally successful German film of all time. But due to disputes over the script, accidents on the set, and voices accusing the makers of glorifying the war, the project was many times on the verge of being cancelled.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
Documentary about the life and career of a comic genius, Peter Sellers.
Can a secret change who you are? Mysterious events unfold and reveal how Martha, a Polish holocaust survivor, managed to lead a double life in Australia. The vivacious Jewish artist and doting mother, died without ever revealing her secret. The film follows Martha’s daughter Eve, over a decade, as she unlocks the mystery behind the streets named Eve and Martha. Clues are found in old recordings and Martha’s home movies revealing a mystery man gazing into the lens. Eve’s investigation leads her to the Sobieski castle in the Ukraine, the site of a massacre where her grandmother died, and the Eichmann trial as she explores her parents’ holocaust survival and her father’s heroic escape from a concentration camp. When a ‘doppelgänger’ contacts Eve, her life is forever altered, as she uncovers lies, tracks down her mother’s young lover and reveals the family secret that led her to rewrite her entire life.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
This documentary treats movie fans to a behind-the-scenes look at the making of Max Keeble's Big Move, about a young boy who uses his imminent move to another town as his big chance for revenge on everyone who's tormented him, only to have his plan backfire. Included are interviews with the cast and crew who talk about the experience of making the film, as well as all of the effort that went into it.
A bunch of British working class amateur filmmakers with nothing left to lose tackle one of Hollywood's greatest musicals in order to save their beloved Club. Britain’s oldest amateur filmmaking club struggles to survive, as its members grow old amid flickering memories and hardships. In the northern industrial town of Bradford, England, a handful of diehard amateur filmmakers desperately cling to their dreams, and to each other, in this warm and funny look at shared artistic folly that speaks to the delusional dreamer in us all.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Documentary about the original 1986 film Critters. Features interviews with actors Dee Wallace, Don Opper, Terrence Mann, and Lin Shaye; producer Barry Opper; writer Brian Muir; critter designers and voice actors; and many more.
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.
A feature-length documentary on the life and work of Wisconsin grindhouse cinema auteur Bill Rebane, featuring historians, critics, and filmmakers, plus cast and crew members who worked with Rebane himself.
A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.
What is anime? Through deep-dives with notable masterminds of this electrifying genre, this fast-paced documentary seeks to find the answers.
Who has ever compared Reservoir Dogs? What are “Open Road” and “New World Disorder”? Why is Harvey Keitel a fairy and how did we all almost become diehard fans of Paul Calderon? Here’s a story about Quentin Tarantino. The director who needs no introduction.
A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.
A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.
Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at looking and being looked at. Beginning as a city state commission under the name and attitude of “Unschool”, the film became a kaleidoscope of the experiences, questions and wonders of a couple of high school students after a year of experiences with filmmaker Ana Vaz questioning what cinema can be. Here, the camera becomes an instrument of inquiry, a pencil, a song.
An in depth look at the persecution and subsequent death of the 5 million non Jewish victims of the World War II Holocaust and the lives of those who survived. Through stories of survivors and historical footage, these lesser known voices are brought to life. From the Roma and Sinti people who were also targeted for complete annihilation to the thousands of Catholic Priests who were killed for speaking out, Forget Us Not strives to educate and give tribute to those who were killed for their religion, ethnicity, political views, sexual orientation and physical handicaps.