Beast tells the story of a little girl who doesn't quite fit in. When she finds herself pulled into a dark and mysterious world full of dangers she understands that it is hard to get back home, when no place feels like home.
Beast tells the story of a little girl who doesn't quite fit in. When she finds herself pulled into a dark and mysterious world full of dangers she understands that it is hard to get back home, when no place feels like home.
2012-01-01
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Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.
Douglas and Business Cat find a baby that ruins their business.
Washed up space adventurer and sidekick crash land on a planet of dicks.
The Internet is haunted at Morningwood Road, they must appease the ghost before she makes a meme of them all.
This story takes place in Lisbon at the time of the great maritime discoveries. Explorers, looking like pigs, arrive in the harbor after a long voyage across the oceans. Everywhere in the city small groups gather and congratulate each other. They organize spontaneous round dances and celebrate their return. Meanwhile, a young pig has the strange feeling of being completely isolated from the others in his own native city...
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.
An American pilot in the war falls asleep in his plane. His dream mixes up with reality.
Diego the bicyclist waits to check into the PGI hotel, where each room's inhabitant seems more bizarre than the last, and the rabbits on the top floor have discovered the secret of voodoo, using electronics and carrots. Can the rare and unpredictable night of the carrots save everyone, or will their connections to the room's electrical sockets restrain them too much? Will Diego find love with an egg that speaks incessantly in German? Will the cellist, who is actually a room full of a gelatinous substance, affected in some way by buttons labeled K, G, and B, have dreams that explain everything? Or will the audience just leave scratching their heads? Not all questions get answered.
A 40-year-old middle-class man who loves his domotics to toe the line will figure out, because of a water drop, that things you own end up owning you.
When father decides Richard is old enough to leave his parental home, he sends him out into the world. Only Richard keeps returning home: everytime in a more bizarre way. Somehow he seems attached to the house. When an unfortunate alteration in life takes place, Richard is forced to stand on his own feet.
The story picks up after an unexplained disagreement between two brothers, Goat and Aaron. To work out their differences, they take a hike together. The beauty of nature brings them back together, but the violence in Goat's heart can't be controlled and it pulls him under.
This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly
The story of Shinya Kimura, a creator of custom motorcycles which he designs with a unique philosophy of love, life and simplicity.
The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.
Black & White, Short Film, United States, Silent.
What started out as a simple holiday trip on the Swiss mountain lake, is beneath the surface an intense drama between a mother and her daughter.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)