Hildegard
Harald
Angelina
Waldo
Shafiq
will be added later
2009-01-01
8
Douglas and Business Cat find a baby that ruins their business.
Follow Bob as he desperately tries to woo a girlfriend while his loyal, yet deranged pet, Rocket Dog, presents new challenges at every turn. Bob's bumbling hipster lifestyle may be a warning, or an invitation, as you see fit.
The Internet is haunted at Morningwood Road, they must appease the ghost before she makes a meme of them all.
Adults have the Pike and Coney Island amusement parks, so the rascals put up their own rides in a large vacant lot. Mickey's got big plans for expansion when surveyors show up to begin work on a factory. The gang travels by donkey cart to the office of Henry Mills, President of Pan American Export Company, to protest. Henry, in his 60s, is still a boy at heart: he has his chauffeur stop the car so he can join a sandlot game. He bails on a meeting with his board of directors, going with the kids to the factory site where he stops the workers and helps our gang add more rides. The directors follow him, and they get put to work. Will they ever have their meeting?
Washed up space adventurer and sidekick crash land on a planet of dicks.
A 40-year-old middle-class man who loves his domotics to toe the line will figure out, because of a water drop, that things you own end up owning you.
A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with the dancers' costume changes. More about stencil colouring at http://zauberklang.ch/filmcolors/timeline-entry/1218/.
Over the course of five minutes, two friends in a desolate cabin discuss everything from the origins of everyday sayings to their favorite movie villains. But all is not as it seems...
After he's sent to his room for refusing to eat his vegetables, angry little Timmy prays to God to deliver him from his cruel parents. What unfolds next is an irreverent black comedy.
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.
17-year-old Arend lives with his parents and hasn't come out of the closet yet. His first step into the gay world of love is on a date with handsome Michael, a guy he met on a gay dating site. They arrange to meet and Arend ventures to the other side of the country only to discover that Michael is not quite what he imagined.
A man hunts divine beings in a city that is falling into decrepitude. The society may have turned its back on him, but that doesn't stop him from moving forward in his endless search.
In order to enjoy a romantic private swim together, Jo and Eddie hide when their local swimming pool is closing for the evening. But unknown to them, a killer is on the loose - and in the building with them.
Diego the bicyclist waits to check into the PGI hotel, where each room's inhabitant seems more bizarre than the last, and the rabbits on the top floor have discovered the secret of voodoo, using electronics and carrots. Can the rare and unpredictable night of the carrots save everyone, or will their connections to the room's electrical sockets restrain them too much? Will Diego find love with an egg that speaks incessantly in German? Will the cellist, who is actually a room full of a gelatinous substance, affected in some way by buttons labeled K, G, and B, have dreams that explain everything? Or will the audience just leave scratching their heads? Not all questions get answered.
Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.
This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly
While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.
Daniela and Fouad live in Gubbio, and they both come from the sea: she is from Bari, he is from Casablanca. Their bodies have suffered hardships and alcoholism. They met by chance and a deep and healing friendship was born, which led them to live together. Now that Fouad needs a permit to stay, marriage seems to be the easiest solution. Daniela agrees to it, but as the wedding approaches, the ambiguity of Fouad’s feelings begins to worry her. Can you fake- marry someone who really loves you?
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
Images and sound captured whilst on a journey through the British landscape become the material for formalistic experimentation and an exploration of looking/seeing listening/hearing.
My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.
Eduardo, a man about to get married to his lifelong sweetheart, begins having second thoughts about the step he is going to take. His future wife is not one-of-a-kind and, among the wedding guests, there are several women he would not mind spending the rest of his days with. So, while the ceremony carries on, he fantasizes about the lifestyle he could experience with some of them.
A brutal look at how Jin and the Human Hibachi movies got their start in Japan.
A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.
Jack Mann is a writer reporter for the Associated Press. Annalisse Summer is an ER nurse dedicated to help people: Dr Linus is a doctor who has seen what Jack and Analisse have: an evil entity that seeks to destroy and has joined them to help stop it (the entity posses people and controls them to do its bidding).
A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").
Bhagwan Shri Bajrangbali has had super-natural powers at a very young age which includes swallowing the sun, lifting mountains, just to name a few. Bajrangbali has always regarded the skies and universe as his playground and could leap and fly around at will. Bajrangbali makes it his duty to serve Bhagwan Shri Ram all days in his life. He will make this comes to light when Ram's wife, Devi Maa Sita, has been kidnapped by Shivbakht Ravan, and is being held captive in far off Lanka.
A young Japanese-American man arrives at his grandmother's old hometown in Yamaguchi, begins to stay at her family's elite but dysfunctional household, and gets entangled in a sinister plot of murder.
Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.