Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.

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0.0Director Malakye Tsosie explores his identity through the Navajo language. A language that is spoken less frequently over the generations. However, the resilience of the language breathes through his journey with a small Navajo radio station, his family relatives, and the people of the Navajo Nation.
7.4Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.
0.0Despite dwindling interest and a two-decade-long losing record, a determined coach and group of young athletes fight to keep their football program alive.
All Mixed Up is a gripping tale of two female climbers from Scotland as they push their limits to see if they have what it takes in the spectacular Canadian Rockies. Tackling some of the steepest and toughest routes in the country, their roller coaster ride of self-questioning and sheer bloody-mindedness dressed up as determination is an inspirational story of success in the hard world of winter mixed climbing.
7.2The documentary follows Chilly Gonzales from his native Canada to late '90s underground Berlin, and via Paris to the world's great philharmonic halls. Diving deep into the dichotomy of Gonzales' stage persona, where self-doubt and megalomania are just two sides of the same coin.
0.0Mark McCloud is the world's leading collector Of LSD art. His 'Institute of Illegal Images' has over 30,000 framed hits of acid and traces the history of the drug's cultural influence through the unique art form used in its distribution - blotter art. After enduring and defeating aggressive prosecutions by law enforcement seeking to put him behind bars for life, Mark now appears to be more of a visionary than an outlaw and his museum has become a place of pilgrimage for believers in LSD's spiritual power.
0.0Deaf artist James Castle drew on his upbringing in rural Idaho as well as his profoundly silent inner world to create haunting paintings, sculptures and collages. He often used found objects and homemade tools to bring his vision to life. This documentary relies on interviews with Castle's family, art historians and prominent members of the hearing-impaired community to explain his inspirations, techniques and lasting legacy.
7.5Before computer graphics, special effects wizardry, and out-of-this world technology, the magic of animation flowed from the pencils of two of the greatest animators The Walt Disney Company ever produced -- Frank Thomas and Ollie Johnston. Frank and Ollie, the talent behind BAMBI, PINOCCHIO, LADY AND THE TRAMP, THE JUNGLE BOOK, and others, set the standard for such modern-day hits as THE LION KING. It was their creative genius that helped make Disney synonymous with brilliant animation, magnificent music, and emotional storytelling. Take a journey with these extraordinary artists as they share secrets, insights, and the inspiration behind some of the greatest animated movies the world has ever known!
7.0Blind from birth, Dr G Yunupingu found his identity through song and the haunting voice that has already become legend. His debut album introduced Australia to the Songlines and culture of his Elcho Island community, but now Dr G Yunupingu finds himself increasingly torn between city and country, present and past, self and the community to which he owes so much.
Lii Michif Niiyanaan: We Are Métis is a documentary that addresses the invisibility of the Metis by shining a new light on the historical and contemporary experience of Métis people in Canada and providing a space for Métis people to share their diverse perspectives on what it means to be Métis today.
8.0Peaches - artist, feminist, rock star. She has been challenging gender stereotypes for over 20 years and is on par with the icons of the pop and rock world. With exclusive private archive material and current footage of preparations and concerts of her 2022 jubilee tour “20 Years of Teaches of Peaches”, we learn how the Canadian Merrill Nisker became the internationally celebrated musician and electro-clash icon Peaches.
6.0As they undergo 12 weeks of intensive training, a group of young civilians is gradually moulded into soldiers. The Basic Training, a prerequisite for joining the Canadian Armed Forces, becomes the gateway to exploring the inner workings of a world governed by its own rules and values.
0.0Debut of 5 young winners from the program "Project Alpha" who have the ability to sing, dance and become a new artist.
7.3Whales have long been a profound mystery to us. They live in a world so removed from our own that we can barely imagine their lives. Their environment is different, their senses are different, their relationships are different. How might such almost alien creatures see the world?
Recently diagnosed with ADHD, a symphony conductor uses the career shutdown of the 2020 pandemic to dive into her mental health. She looks for ways to face the challenges and honour the gifts of being neurodiverse.
6.9Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
