The Art of Acid

What Did You Take?(en)

Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.

Narcotics, Why Not?(en)

This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.

Benutzt und gesteuert – Künstler im Netz der CIA(de)

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Pictura(en)

A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.

Satan in the Suburbs(en)

Satan in the Suburbs tells the shocking story of a grisly ritualistic murder in the quiet bedroom community of Northport, Long Island in the summer of 1984. The killing, it soon emerged, was linked to a teen satanic cult. Perhaps more disturbing than the details of the murder itself was the revelation of a conspiracy of silence among the town's teenagers, many of whom had been aware of the, e killing in the two weeks before an anonymous call finally tipped off local police. 17- year-old Ricky Kasso was arrested and confessed to the crime; five days later, he hung himself in his holding cell. Kasso's friend Jimmy Troiano also. confessed, but was acquitted after jurors learned that he was beaten by local police. The murder shocked the local community and reverberated nationally, with some uninformed observers rushing to scapegoat rock music as the cause.

Mannen Henger(no)

Art City 1 Making It in Manhattan(en)

Unlike any art movie you've ever seen, Making it in Manhattan is informed 'entertainment' about the people who make contemporary art. Artists, collectors, and dealers bring to life the art capital of the world, New York, as it plunges into the 21st Century. Presenting a cross-section of artists, the film discusses inspiration, aesthetics, and the meaning of success. With Louise Bourgeois, Brice Marden, Chuck Close, Neil Jenney, Elizabeth Murray, Ashley Bickerton, Gary Simmons, Ursula von Rydingsvard, Rirkrit Tiravanija, St. Clair Cemin, Ivan Karp, Jay Gorney, Matthew Marks, Jerry Saltz, Herb & Dorothy Vogel, and others. From abstraction to figuration, from installation to conceptual art, from the privacy of the doctor's office to the posh gallery opening, Making it in Manhattan captures the reality of a special world. Music by Tom Waits, Don Braden Ryuichi Sakamoto, George van Eps, Piero Umiliani with Chet Baker.

Art City 2 Simplicity(en)

Travelling around the country, Art City: Simplicity takes viewers on a revealing trip into the studios and lives of a group of singular artists. On a desert mesa outside Santa Fe, Richard Tuttle invents his mysterious and marvellously humble forms, made of wire, cardboard, wood. In Taos, Agnes Martin rhythmically repeats extremely simplified images. Near the Santa Monica surf, John Baldessari, aims for successful juxtapositions of photographs and text. In his North Hollywood living room, Robert Williams revels in surreal cartoon imagery. At a cabin in Woodstock, Joan Snyder refines her sensuous art amid a lush forest. Mike Bidlo salutes Duchamp in a SoHo Gallery, while on Sunset Boulevard, Amy Adler reclaims personal history through self-portraits. Through this group of memorable iconoclasts, the creative "act" is there to see and study.

Art City 3 A Ruling Passion(en)

Many artists use the pain, exhilaration and resolution of private desires to express themselves. Art City: A Ruling Passion focuses on intense personalities who’ve used their art to explore the emotional impact of psychological truths. Everything that Louise Bourgeois creates - whether in marble, fabric or bronze - comes from memory. Michael Ray Charles investigates the marketing of black memorabilia, using early American advertising imagery. Elizabeth Peyton reinvents portraiture, using her friends as subjects, as well as pop culture royalty. Ed Ruscha’s literary landscapes burst from the physical world "right outside the window." The comic spirit of Lari Pittman contrasts with his graphic declarations. In a landmark house, Richmond Burton remembers his dreams to build "psychic fields" of abstraction. The arrays of featureless faces by David Deutsch are stimulated by sub-conscious sensations.

Too Many Captain Cooks(xx)

For both Aboriginal and non-Aboriginal Australians, Captain James Cook is a figure of great historical significance.

Ludvík Kuba(cs)

Cecil Taylor: All The Notes(en)

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

Empire of the Nude: The Victorian Nude(en)

The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.

Grandpa Called It Art(en)

This MGM Passing Parade series short takes a look at changing definitions of art in the United States.

Islamic Art: Mirror of the Invisible World(en)

This ninety-minute film takes audiences on an epic journey across nine countries and over 1,400 years of history. It explores themes such as the Word, Space, Ornament, Color and Water and presents the stories behind many great masterworks of Islamic Art and Architecture. Narrated by Academy Award winning performer Susan Sarandon, this dazzling documentary reveals the variety and diversity of Islamic art. It provides a window into Islamic culture and brings broad insights to the enduring themes that have propelled human history and fueled the rise of world civilization over the centuries

Mr. Smith’s Peach Seeds(en)

In 1968 Roger Smith ate a peach during a break from work. When he was finished he took out a pocketknife and began carving the peach pit into a tiny pig. 43 years later the retired meter reader and cattle rancher from Culloeka, Tennessee, has carved hundreds of peach seeds into hummingbirds, stingrays, gospel choirs, entire villages, even a baseball stadium with more than 100 figures. "Given enough time," says Smith, "I don't think there is anything you can't make out of a peach seed."

Max Gimblett: Original Mind(en)

Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.

Gauguin: A Dangerous Life(en)

Gauguin’s vivid artworks sell for millions. He was an inspired and committed multi-media artist who worked with the Impressionists and had a tempestuous relationship with Vincent van Gogh. But he was also a competitive and rapacious man who left his wife to bring up five children and used his colonial privilege to travel to Polynesia, where in his 40s he took ‘wives’ between 13 and 15 years old, creating images of them and their world that promoted a fantasy paradise of an unspoilt Eden in the Pacific. Later, he challenged the colonial authorities and the Catholic Church in defence of the indigenous people, dying in the Marquesas Islands in 1903, sick, impoverished and alone.

15 x 15 x 5 (minisalon 1984)(sk)