The architect André Ravéreau spent a large part of his life in Algeria, he is today an essential reference for Algerian builders of several generations. His daughter Maya, an architect herself, accompanies us to the places of his creations and his research, in the Mzab first where he lived, created, trained other architects in the "desert workshop" and had the oases of the Mzab classified as a UNESCO World Heritage Site. Inspired by tradition to better innovate as in the construction of the Ghardaïa post office, or in that of a very surprising villa... Then in Algiers where he worked to preserve the ancestral heritage of the Casbah, faithfully describing the principles of his construction in line with current concerns, such as the choice of environmentally friendly materials and avoiding energy waste, as testified by the architect Yasmine Terki, a great specialist in earth materials.
The architect André Ravéreau spent a large part of his life in Algeria, he is today an essential reference for Algerian builders of several generations. His daughter Maya, an architect herself, accompanies us to the places of his creations and his research, in the Mzab first where he lived, created, trained other architects in the "desert workshop" and had the oases of the Mzab classified as a UNESCO World Heritage Site. Inspired by tradition to better innovate as in the construction of the Ghardaïa post office, or in that of a very surprising villa... Then in Algiers where he worked to preserve the ancestral heritage of the Casbah, faithfully describing the principles of his construction in line with current concerns, such as the choice of environmentally friendly materials and avoiding energy waste, as testified by the architect Yasmine Terki, a great specialist in earth materials.
2019-01-01
10
Known for his bold, abstract and stark white buildings, American architect Richard Meier now takes on the challenge of building the Jubilee Church in Rome. Holding the location in high regard, Meier praises the vibrant visual layout of the city and tells us, "Rome is a city of architecture; it's a city of walls and columns and spaces and places and defined places and wherever you look there's architecture" (Richard Meier). Staying true to his signature design style, Meier has created a structure resembling grand soaring sails which appear steady and peaceful as they stand in striking opposition to the city's landscape. Three curved walls separate three distinct spaces: the main sanctuary, the weekday chapel and the baptistry, each with its own entrance. As a contrast he shows us his favorite churches in Rome by his famous colleagues from earlier times.
"Solid States: Concrete in Architecture and Structural Engineering" offers examples and insights into the ever-adapting possibilities of concrete. With the participation of prominent architects and engineers such as Steven Holl, Toshiko Mori and Bernard Tschumi, the lectures consist of footage and theories pertaining to the developments of concrete as a material within the architectural world.
Portrait of the Algerian singer and composer Kamal Hamadi (husband of the singer Noura). Performer, musician, conductor, lyricist, author and composer, he is considered today as the witness par excellence of Algerian artistic action of the 20th century. The film received the Golden Olivier for best documentary 2010 at the Tizi-Ouzou Amazigh Film Festival in Algeria.
Andres Kurg is an art historian who likes Danish modernist architecture and therefore wants to settle there. He argues with Danish officials to grant him a residence permit for aesthetic reasons.
By meeting his former comrades in combat, the film follows the journey of Yves Mathieu, anti-colonialist in Black Africa then lawyer for the FLN. When Algeria became independent, he drafted the Decrees of March on vacant property and self-management, promulgated in 1963 by Ahmed Ben Bella. Yves Mathieu's life is punctuated by his commitments in an Algeria that was then called "The Lighthouse of the Third World". The director, who is his daughter, returns to the conditions of his death in 1966.
World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
La Sagrada Familia – although still under construction in Barcelona – is a cathedral without any flaws. Almost 100 years after his death, experts are convinced that Gaudi was a mathematical genius and that each embellishing ornament of the Sagrada Familia actually serves an architectural purpose.
Best known for designing National Historic Landmarks such as St. Louis’ iconic Gateway Arch and the General Motors Technical Center, Saarinen also designed New York’s TWA Flight Center at John F. Kennedy International Airport, Yale University’s Ingalls Rink and Morse and Ezra Stiles Colleges, Virginia’s Dulles Airport, and modernist pedestal furniture like the Tulip chair.
Urban architecture as seen through the eyes of four female veterans in the field.
Rising sea levels and sinking land threaten to destroy Venice. Leading scientists and engineers battling the forces of nature to try to save this historic city for future generations. Discover the innovative projects and feats of engineering currently underway, including a hi-tech flood barrier, eco-projects to conserve the lagoon, and new efforts to investigate erosion beneath the city.
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
This film was made in the summer of 2015 on the occasion of the exhibition "A Tribute to Le Corbusier" at the Villa "Le Lac" in Corseaux. We have recorded a visit to the Petite Maison of Le Corbusier and Pierre Jeanneret in moving pictures and an audio track but without explanations. The film is patient, calm and curious: we hear the sound of steps, reverberations from the street nearby, doors and cabinets being opened and closed, and we see the flexible ways in which the house and its furnishings might be used. It is an attempt to illuminate and elucidate the lively “jeu, savant, correct et magnifique des volumes sous la lumière”.
Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.
“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested. The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.
How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.
A film commissioned by architects Vitangelo Ardito and Nicoletta Faccitondo (Polytechnic University of Bari) as a companion piece to the book 'Umberto Riva. Perciò è sempre una sorpresa - 19 conversazioni'.