2023-03-04
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A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.
Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.
Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.
A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.
In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.
It's hunting season, as well as Eda's 25th birthday. As a present, her father offers her an apartment under seizure.
Velvet Underground's first public appearance.
During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.
This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.
A faithful recounting of the ministry, trial and martyrdom of the fifteenth century Bohemian priest John Hus, who built on the reforms of John Wycliffe, taught the Bible in the vernacular and who influenced Martin Luther a century later.
Sandamarutham is an age old story of an honest cop and his mission against a deadly villain, the only silver lining here is that Sarath Kumar has played both the villain and hero. Sarveswaran (Sarath Kumar) is a deadly don in Kumbakonam and he runs the underworld chemical bomb business to devastate the entire country. Mean time, we are shown another Sarath Kumar (Suriya) who is an undercover cop and he gets to know the real side through his honest cop friend Thirumalai (Samuthira Kani) who was murdered by the same chemical bomb. On his mission Suriya also encounters RR (Radharavi) who is a close friend of Sarveshwaran. The rest of the story tells how Suriya knocks down Sarveswaran.
Shot in 1950 upon arriving in America, Mekas did not edit and present the footage until 2003 making this both his first and last film shot on 16mm.