pertencer(2024)

Sou Jazz(pt)

Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.

Nana Chela(es)

VIDA URBANA(pt)

Best of Three(pt)

Life is what we don't want it to be.

Aroak(eu)

Aroak is a documentary about the cycle of life through the passing of the seasons and the stories of 10 people from different generations, and the environment in which they live, closely connected to the land and animals. How they experience the passing of the seasons, how it was before and how they experience it now. They talk about their interaction with the environment, their feelings towards animals and plants. Aroak is also an audiovisual poem about nature and its magic, its sounds and its inhabitants.

Reminiscence: A Life Through the Lens(en)

A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.

REEXISTIR(pt)

A documentary web-series that presents experiences and resistance in the fight stories of the LGBT community. These stories are told in order to generate more empathy and compassion among people inside and outside the community, and especially, to bring a message of hope, strength, and resilience to all LGBTs, encouraging us to keep our heads up and continue to resist.

Medo de Sobrar, Medo de Sonhar(pt)

Perspectiva (Versão da Diretora)(pt)

Filhos da Cratera(pt)

Rider(es)

A young woman working as a rider is forced to make a dangerous delivery that will put her life at risk during a night filled with urgent personal problems that she must solve through phone calls. Millions of people make a living as riders around the world, Fio’s story of redemtion is but one of them.

Pessoas São Prédios(pt)

In a Porto Alegre swallowed by real estate speculation, elderly residents begin to disappear without explanation. As new buildings rise at a frightening pace, a woman finds herself facing a truth no one else seems to see.

dadme la muerte que me falta(es)

La vagancia(es)

Fiado Só Amanhã(pt)

Desejo Sintético(pt)

O Homem Que Escrevia Notas de Falecimento(pt)

86 Bilhões(pt)

Muerte Clínica(es)

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’