A portrait of Zomo, the second of Damouré Zika’s many children. Employed at the zoo of the National Museum of Niger in Niamey, he offers us a tour, showing us the animals he takes care of. Then, when the work is finished, he invites us to an impromptu concert by “Jeunesse Gawey,” the “popular music” orchestra he forms with his brothers and sisters, who sing and dance for us pretty songs about their lives, their family, and Nigerien youth.
A portrait of Zomo, the second of Damouré Zika’s many children. Employed at the zoo of the National Museum of Niger in Niamey, he offers us a tour, showing us the animals he takes care of. Then, when the work is finished, he invites us to an impromptu concert by “Jeunesse Gawey,” the “popular music” orchestra he forms with his brothers and sisters, who sing and dance for us pretty songs about their lives, their family, and Nigerien youth.
1975-01-01
0
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
This documentary offers an overview of French scientific research in Africa French scientific research in Africa: hydrology, botany, biology oil palm and coconut cultivation, industrial sea fishing and and urban planning. Film montage taking stock of scientific research research in Africa, mainly in the fields of hydrology hydrology, botany, biology and agriculture. The film is a compilation of extracts from several short films made by Jean Rouch in Mali, Niger and Côte d'Ivoire between 1962 and 1963: Abidjan, port de pêche, Le Mil, Le Cocotier and Le Palmier à l'huile. l'huile.
"Tourou et Bitti", an eight minute documentary concerning a ritual in Niger, is yet another example of Rouch's excellence in creating documentaries which surpass the conventional documentary format. Just as frightening and fascinating as "Les maîtres fous", this one goes straight into the roots of ancient African cultures, in which music has an hypnotic effect, being at the same time an exorcism and a public show. Both the female and the male dancers are almost deities about to be unleashed... Spectral and humanitarian.
A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".
Lightning struck the hut of a Fulani shepherd near a village of settled fishermen, Ganghel, in Niger. A yenendi, a purification ceremony to obtain "water from the sky but not fire from the sky", is organized, with Sorko priests, ritual musicians and dancers, and the faithful from Niamey. The musicians call on Dongo, god of storms, and his brother Kirey, god of lightning. To the rhythm of the orchestra, a man goes into a trance, becoming Dongo's horse and at the same time the riding genie. Then a woman is possessed by Kirey. When the riding gods have mastered their horses, the gods visit the men. Dongo purifies the lightning-struck land and the oldest fisherman prepares the purification vessel, addressing Dongo.
While no wrestling is actually depicted, Atilogivu: The Story of a Wrestling Match documents gymnastic dancing to drum and flute music of the Ibu people, east of the River Niger.
Commemorative celebrations of the independence of the Republic of Niger filmed in December 1961 and 1962.
At a dusty crossroads in the desert city of Niamey, Niger, a crippled beggar is sitting in his wheelchair. He is Philippe Koudjina, who was once a successful photographer. In 1960s during the euphoria that followed independence, young people danced the twist and rock ‘n’ roll. Koudjina took snapshots and made a good living. Now, his negatives are decaying in a rusty cabinet. These snapshots now have artistic value. In Paris and New York, large sums are paid for photography like this. There is hope for Koudjina as two French connoisseurs are now trying to launch his work on the art circuit.
The title of this film translates literally as 'to put on a hori,' a hori being the Songhay term for ceremony of festival. Here it is used to refer to a ganandi, literally 'to make dance' This film concerns two women whom the zima [priest] had diagnosed some months before as being ill through possession by spirits. In the meantime, their families have gathered together the resources to pay for the musicians, dancers, and the priest himself to put on an initiation dance lasting seven days This is a film of documentation, simply recording various moments in the progress of the ceremony, without any form of explanation, neither in intertitle cards nor in voice-over. (Paul Henley, The Adventure of the Real)
In February 1974, Pam Sambo Zima, the oldest of the priests of possession in Niamey, Niger, died at the age of seventy-plus years. In his backyard, the followers from the possession cult symbolically break the dead priest's ritual vases and cry for the deceased while dividing up the clothes of the divinities.
Niger is one of the poorest countries in the world and is also plagued by numerous terrorist organizations that repeatedly kidnap people. Accompanied by a military convoy, the travel group explores the country and the cultural traditions of two of the last nomadic tribes, the Woodabe and the Tuareg. From the capital Niamey in the southwest, the journey continues through the interior of the country to Iférouane, where the Nigerien tour guide provides information about the country and its people.
"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.
Shot in 1908, the film shows a half-fictionalized hunting expedition in Uganda.
A man performs the same ritual every day: he cleans his shoes, dresses up in his shiny blue suit, wears his white gloves and grey hat, and spends his time walking around Brazzaville. His presence generates an absurd apparition in the urban chaos of the city, which reflects the imaginary produced by one of the upmost icons of pop culture.
Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.
The best films of the European Outdoor Film Tour 11/12.
This short, silent film captures a Sunday afternoon at a community skating rink. Iconic Quebec director Gilles Carle has the camera follow toddlers learning to skate, young girls flashing their skates and boys decked out in the colours of their favourite hockey teams. A picture perfect moment on a bright winter's day.
Join Mike, Tom, and Yuri in the studio as they record their album "Secret Weapon."
American military "brats" of all ethnicities share intimate memories about their strange, but interesting childhoods - growing up on military bases around the world, then struggling to fit into an America with which they have little in common, but for whom they sacrificed their youths. Narrated by Kris Kristofferson. Featuring songs by Kris Kristofferson, interviews with General H. Norman Schwarzkopf, and never-before-seen archival footage from post-war Germany and Japan.