Yenendi de Ganghel (Rain Dance at Ganghel)

The Bounty Hunter of Mongolia(fr)

In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who then sell them to Russian slaughterhouses. Shukhert, a brave horseman, relentlessly pursues them through the Mongolian taiga, bordering Siberia.

Afghan Nomads (The Maldar)(en)

At dawn a nomad caravan descends on Aq Kupruk from the foothills of the Hindu Kush. In their camp, and in commerce with the townspeople, the Maldar reveal the mixture of faith and distrust that has kept nomads and sedentary people separate and interdependent over the centuries. The theme of the film focuses on political and religious beliefs. The film and accompanying instructor notes in this series embrace five different and complex units of analysis concerning how political change occurs; individual attitudes, ethnic identity, national loyalties, institutional affiliations, and ideological beliefs.

The Big Everything(fr)

How’s the Big Everything? Garba asks Nicole. For them, the “Big Everything” encompasses family, politics, History, daily life, the stars, small things, and time passing like the wind. By delving into their memories, at the time of Niger’s independence, we come face to face with the complexity of the present.

Pylon(en)

A young woman achieves cone consciousness.

Circumcision(fr)

Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".

Attiuk(fr)

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

Atilogivu: The Story of a Wrestling Match(en)

While no wrestling is actually depicted, Atilogivu: The Story of a Wrestling Match documents gymnastic dancing to drum and flute music of the Ibu people, east of the River Niger.

An Afghan Village(en)

A collage of daily life in Aq Kupruk builds from the single voice that calls the townspeople to prayer, the brisk exchange of the baazar, communal labor in the fields, and the uninhibited sports and entertainment of rural Afghans. The theme of the film focuses on rural society. The film and accompaning instructor notes explore concepts of development, modernization, environmental equilibrium, and especially change, identifying change agents, and analyzing barries and stimulants to change.

Niger Festivals: December 1961 - Niger Independence Days(en)

Commemorative celebrations of the independence of the Republic of Niger filmed in December 1961 and 1962.

Behind the Shadows(el)

The Greek shadow puppetry began 130 years ago. A student of Greek shadow puppetry travels to China, where shadow puppetry began over 2000 years ago. There he follows Chinese shadow puppeteer master He Shihong in Wushan of China. Watching his performances and listening to him talk about his art and his career in it, many parallels are drawn and he expresses them by including his Greek shadow puppetry teacher in the film. This documentary is a cultural bridge between Greece and China through the art of shadow puppetry.

Pileni paualala. Dried giant clams in the Reef Islands(en)

The Reef Islands Ethnographic Film Project was started in 1994 by the two anthropologists, Jens Pinholt and Peter I. Crawford, and village communities in Bekapoa, Ngasinue/Fenualoa and Vaiakau. Field and film visits took place in 1994, 1995-1998, 2005, 2010, 2015 and 2017. This film is based on one such visit in June 2015, by Peter I. Crawford and Birgitte Hansen, a nutrition expert. The focus was on a diachronic study of nutrition, collecting information in three villages and comparing it with material from the 1970s and the 1990s. Pileni was one of the villages.

Creature Catalogue(da)

Divine Horsemen: The Living Gods of Haiti(en)

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

Im Reich Des Squatters(de)

Amin(en)

AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.

Ainu Puri(ja)

Shigeki, one of the Ainu people of northern Japan, follows the traditions of his ancestors and teaches his son Motoki about their heritage. But how can old customs be revived after centuries of suppression?

The Nuer(en)

Portrays the Nuer, Nilotic herdsmen of the Nile basin. Shows how their daily lives revolve about their cattle, and depicts the psychological bonds between them. Includes extensive use of Nuer music and poetry.

Moana(en)

Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”

Zomo et ses frères(fr)

A portrait of Zomo, the second of Damouré Zika’s many children. Employed at the zoo of the National Museum of Niger in Niamey, he offers us a tour, showing us the animals he takes care of. Then, when the work is finished, he invites us to an impromptu concert by “Jeunesse Gawey,” the “popular music” orchestra he forms with his brothers and sisters, who sing and dance for us pretty songs about their lives, their family, and Nigerien youth.

L'Afrique et la recherche scientifique(fr)

This documentary offers an overview of French scientific research in Africa French scientific research in Africa: hydrology, botany, biology oil palm and coconut cultivation, industrial sea fishing and and urban planning. Film montage taking stock of scientific research research in Africa, mainly in the fields of hydrology hydrology, botany, biology and agriculture. The film is a compilation of extracts from several short films made by Jean Rouch in Mali, Niger and Côte d'Ivoire between 1962 and 1963: Abidjan, port de pêche, Le Mil, Le Cocotier and Le Palmier à l'huile. l'huile.