Urute vv(2024)

Piracema - uma carta de amor ao teatro(pt)

The Meadows Green(en)

Fantastical, larger-than-life puppetry and rambunctiously playful choreography is framed against an Edenic backdrop of Vermont farm country in George Griffin and DeeDee Halleck’s luminous, lyrical short film, which documents the 1974 edition of the Bread and Puppet Theater’s annual Domestic Resurrection Circus, taking place soon after the company’s relocation from downtown Manhattan to the rural New England enclave where it remains headquartered to this day.

Artificial(en)

Innocent nature walk leads to a discovery of the morbid nature of humans.

Narcissus(en)

A quirky deep dive into the mind of a confused young man struggling to balance personal ambitions and family responsibilities.

Me and My Victim(en)

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

The Phantom Liberty(es)

Art is a freedom for those who make it and for those who look at it. A freedom that ends when the violence starts. In Mexico, every day eleven women are murdered and in more than ninety percent of the cases impunity prevails. Through the testimony of seven women, this documentary essay reflects on femicide and the destruction that this leaves a country and its culture. Because in times of horror, art cannot be the same, every time a woman is murdered, a museum or a library collapses in the world.

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

A Collection of Images from the Point of View of Lightness of Being(en)

A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.

Regresso à casa de partida antes que a partida seja definitiva(pt)

The Man Who Went Beyond Manga: Fujio Akatsuka(ja)

The late Fujio Akatsuka is revered by many Japanese artists and scholars for his developments to early comedy manga, but his contributions aren't just limited to the world of print media. Featuring commentary from family, friends, colleagues, and celebrity fans, Fujio Akatsuka's story is told with archival footage and animation, showcasing the life of the man who went beyond manga.

Hacımirza diaries fahrettin(tr)

St. Joseph Fort: Principality of Pontinha(en)

St. Joseph Fort: Principality of Pontinha, the diamond that illuminates the Atlantic Pearl.

In the Land of Giants and Pygmies(en)

IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.

The Salt of the Earth(fr)

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

The Saskatchewan Trilogy Part I(en)

Using home movies, vintage memorabilia, and the straight facts about Saskatchewan, the filmmaker creates an eccentric portrait of the first year of his life, and the province that shaped his identity.

In Home God Remains(pt)

Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.

Tierra(xx)

"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1

Depois dos Gigantes de Ferro(pt)

THÁI BẢO HUỲNH KHANG(vi)

A trans Vietnamese woman's deadname being repeated over and over again.

Shapeless Tracking(es)

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.