Movie: American Teenagers

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You Just Need a Walk.
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You Just Need a Walk.(en)

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Birth of a Nation
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Birth of a Nation(en)

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Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

Oliva Oliva
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Oliva Oliva(fr)

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A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September. Their work and their itinerant life are seen from a friend's point of view.

Maria
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Maria(en)

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Maria Lang is my very close filmmaker friend who lives in the southern german countryside. We see her gardening and visiting an exhibition of female impressionist painters.

The Mobilized Generation
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The Mobilized Generation(en)

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My Son's Wedding to My Sister-in-Law
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My Son's Wedding to My Sister-in-Law(en)

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Diaries, Notes, and Sketches
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Diaries, Notes, and Sketches(en)

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Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

In the Bathtub of the World
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In the Bathtub of the World(en)

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Mathilde
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Mathilde(fr)

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Tourist;Drifter
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Tourist;Drifter(en)

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Fale Comigo Verão: O diário de um cineasta amador
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For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

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The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.

Day Tripper
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Day Tripper(fr)

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Homeo
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Homeo(en)

1967-11-15

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

Chromo sud
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Chromo sud(en)

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One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club

Synonymous With
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Der Kern, der dich zusammenhält
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Der Kern, der dich zusammenhält(de)

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Driven by a personal interest in finding out how people deal with the sudden loss of their familiar structures and surroundings, director Jonas Kaufmann embarks on an emotional journey on behalf of Generation Z. A journey with the aim of finding the one inviolable point of human existence that gives us support when everything is lost. In our documentary, protagonist Roman Sachuk and Jonas Kaufmann take on the challenge of providing partial answers to the central questions of a generation in crisis.

Voicemails For The Unknown Receiver
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Voicemails For The Unknown Receiver(tl)

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He Stands in a Desert Counting the Seconds of His Life
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A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.