Everything's Fine(2020)

Piracema - uma carta de amor ao teatro(pt)

The Meadows Green(en)

Fantastical, larger-than-life puppetry and rambunctiously playful choreography is framed against an Edenic backdrop of Vermont farm country in George Griffin and DeeDee Halleck’s luminous, lyrical short film, which documents the 1974 edition of the Bread and Puppet Theater’s annual Domestic Resurrection Circus, taking place soon after the company’s relocation from downtown Manhattan to the rural New England enclave where it remains headquartered to this day.

Le regard de Georges Brassens(fr)

An atypical portrait of singer, songwriter, poet Georges Brassens.

Artificial(en)

Innocent nature walk leads to a discovery of the morbid nature of humans.

Dalida & Orlando: Brother and Sister Forever(fr)

Dalida was an international star, selling over 140 million records in 10 languages. But behind her glittering career and dramatic and tragic personal life, was her ever supportive younger brother Orlando. The documentary sheds light on the professional and personal relationship between the music icon and her producer, between sister and brother.

Oops, Those Hollywood Bloopers!(en)

A collection of bloopers and outtakes from an enormous selection of Hollywood classic productions spanning from the 1930s through the 1980s.

Me and My Victim(en)

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

Dream Girl: The making of Marilyn Monroe(fr)

How did Marilyn Monroe become one of the greatest sex symbols of all time? What drove a prudish little Californian girl, who was not especially pretty nor exceptionally talented, to become this incredibly striking platinum blonde superstar? How did she become the icon capable of balancing innocence with raw sensuality, whilst continuing to captivate the masses to this day? How did she achieve this? And what price did she pay?

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

A Collection of Images from the Point of View of Lightness of Being(en)

A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.

Power and Paranoia of the Third Reich(fr)

Hacımirza diaries fahrettin(tr)

1924, le Paris des Jeux olympiques(fr)

Anouk Aimée, la beauté du geste(fr)

In Home God Remains(pt)

Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.

L'Âge d'or de la pub(fr)

Dancing Before the Moon(en)

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.

To End All War: Oppenheimer & the Atomic Bomb(en)

Explore how one man's relentless drive and invention of the atomic bomb changed the nature of war forever, led to the deaths of hundreds of thousands of people and unleashed mass hysteria.

François Hollande, le mal-aimé(fr)

Tierra(xx)

"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1