How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.
A dance performance salute to choreographer-dancer Lester Horton with Alvin Ailey, Carmen de Lavallade and James Truitte, all former members of his company. They perform various works by Horton.
Musical short about a fraternity and a sorority that call a halt to dating between their houses to improve their grades.
A pair wander the streets of Warsaw, meeting famous Polish musicians.
A short film about the first Bomba Ancestral returning to the ocean at sunset. Organized by Sheila Osorio and Samuel Lind in Loíza, Puerto Rico where the river meets the sea. We gathered on the beach. The moon was full and we could feel the connection to the four elements. The FIRE that purifies, WATER, AIR and EARTH. Honoring all of our ancestors from whom we inherited this beautiful dance of Bomba.
The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.
A series of four dance workouts featuring music and moves from the hit movie, Step Up Revolution. From the living room to the dance floor, these are moves that you can do anywhere!
One day, Genjiro invades an art school and destroys the equipment, and at the invitation of Kano, a girl who devotes himself to the dance he meets there, he decides to practice hip-hop duet dance. For the first time in his life, he graduated from the yankee and started working towards a group dance announcement with his rivals with his fists.
A light grey room. A slender woman of 50 and a 12 year old boy. Joined together like the links of a chain. Changing positions at a constant rate. One flowing movement. Never losing touch with each other. A game played by a mother and her child. A kind of tango. Sound of feet. Breathing. Faint smiles. Until suddenly the woman's hands let go of each other.
In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.
Hotel Armada is a curated portrait of dance and expression showcasing talents in the world of contemporary, vogue, and ballet. It is an integration of time, space, movement and sounds highlighting each performer's rawness in their power and beauty.
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.
The Hollywood musical is brought to a Glasgow street. Amidst the crush of city life, two street musicians provide the backdrop for a girl meets boy story, with a spark of purely Glasgow magic.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
This short movie takes us through beautiful landscapes and oppressive spaces. A dream sequence that leads to liberation, on the border between imagination and reality. We travel with a boy who matures. He dreams, he dances, he is the conductor. The only.