Vasilek
intelligence chief
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Haley Foster built a big city life in Los Angeles as a top wedding planner at an elite and powerful company run by Ms. Reynolds. When her sister, Angela, insists on getting married Christmas Day on the tree farm in their old hometown of Truxton, Haley is resigned to make her sister’s dreams come true and her parents happy.
A high-school student must save townspeople from a murderous clown who works at a fast-food place.
Free-lance undercover agent Coplan receives a phone call from an old girlfriend in Turkey. The panic-stricken woman gives sketchy details of a plot that threatens world security. When Coplan arrives, he is told the woman has been killed, and the trail of the murderer leads to her mad-scientist brother.
When her son who lives in a single room is given an outrageous $1,000 water bill, a mother decides to become a detective and find out what is behind it.
This is not an interview, this is a confession. Revelations of the artist in the form of a monologue. Guf about Keti Topuria's betrayal, drugs and a new girl.
Two college students driving coast to coast are lured off the main highway and onto a deserted Texas road. Here they are stalked by the menacing Leatherface and his demented family...a bizarre cannibalistic clan with blood on their hands and a feast on their minds. The students’ only chance for escape is a survivalist with enough firepower to blast Leatherface and the rest of the grisly predators to hell. A depraved shocker of intense terror from the gruesome beginning to the bloody finish.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
Several little boys run along a pier, then jump into the ocean.
Busy chocolatier Charlotte has left her boyfriend James at the altar three times and now she needs to prove to him that she really does want to marry him. Things are complicated when James’ ex-girlfriend Nicole, who is also the owner of Chocolate Monthly Magazine, arrives on the scene and says she wants him back.
Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.
Laucha, a normal middle-aged guy who lives with his elderly mother and works in a factory, attends a show by the transvestite artist Dominique, for whom he develops an unexpected fixation.
In this sequel, Lillian has been adopted and it's several years later. Annie, married and pregnant, visits her fellow doctor friend, Dr. Owen. Dr Owen desperately wants a baby, but seems unable to become pregnant. Lillian finds a love interest, an assistant to her adoptive dad, the latter has become quite overprotective.
When numerous schools in São Paulo were slated to be closed in 2015 as a result of the worsening socio-political crisis, students occupied more than a thousand public buildings in an unprecedented act of self-empowerment. Filmmaker Eliza Capai shows the development of the many-voiced protests, using news excerpts, self-conducted interviews and recordings made with activists’ own cell phone cameras. From the first demonstrations in 2013 and continuing all the way to the election of the extreme right-wing presidential Jair Bolsonaro in 2018, Capai’s highly political work becomes more and more relevant with each passing day.
A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.
From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.