The day he decided to leave(2015)

Tan só o demo lembra(es)

Trace(ja)

Kawase pays tribute to the grandmother that raised her after being separated from her parents as a child. The film teems with memories, but it is the faded, dusty photographs capturing the kindness in her grandmother’s shy smile that truly bring the woman to life.

Dining with the Kapoors(hi)

This special offers a rare glimpse into the Kapoors, Hindi cinema's first family, over an afternoon of conversation, nostalgia and homemade delicacies.

Ghuza da Sher(en)

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

¿Quién es David?(es)

The Last Piece: Essay I(es)

Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.

Le temps des femmes ?(fr)

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.

Gartelmann la memoria(es)

Karl Dieter Gartelmann, a German photographer and filmmaker, arrived in Ecuador in the seventies, in the midst of the oil boom, with an old 16mm Bolex video camera, and began a journey through the Ecuadorian jungle, collecting the visual testimony of a life that is dying. This documentary brings together the director's permanent concerns: culture and nature wasted by extractivism. A conversation between two directors about the creation of memory through cinema.

Shifting Paths(en)

Shifting Paths explores one family's resilience during the 1933 boycott of Jewish businesses in Frankfurt, Germany. This film traces the loss of a family-owned pharmaceutical company and how a once banned chamomile product, Kamillosan, has survived today with few knowing anything of its history.

Their Houses(en)

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

The Limits of My World(en)

THE LIMITS OF MY WORLD follows a nonverbal young man’s transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian’s personality beneath his disability. THE LIMITS OF MY WORLD is an autistic coming of age story exploring what it means to be a nonverbal disabled person in today’s society.

Time Theorem(es)

The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.

She's just like me(es)

Freddy, a 48-year-old bachelor with no children, who continues to live as if he were a teenager, meets Aylín, a 30-year-old girl who arrives in Lima, and is surprised that she could be his daughter.

Buck Southworth: U.S. Air Force Flight Crew(en)

In this short documentary, the life story of Buck Southworth as a U.S. Air Force aircrewman is told and narrated by his wife, Priscilla Southworth, now a Cemetery Volunteer at Cape Canaveral National Cemetery. This is a remarkable and touching documentary about bravery, mission and love.

13 novembre, nos vies en éclats(fr)

On November 13, 2015, the attacks in Paris and Saint-Denis, carried out by three Islamist commandos and claimed by ISIS, were the deadliest in France since the end of World War II. In the months that followed, the November 13 Program was launched by the CNRS and Inserm to study the construction of individual and collective memory around an event that profoundly marked French society. Today, the testimonies of 27 volunteers—among some 1,000 people—who participated in the study form a mosaic of experiences that shows how trauma extends beyond the immediate circle to permeate the national collective memory.

My Grandmother Trelotótó(pt)

«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»

Stone Street(en)

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

Les Filles à papa(fr)

Jean-Jacques Daloiseau has worked as civil servant in the Ministry of Health and his now retired.Jean-Jacques and his old friend Robert have always dreamed of a sailboat and a trip around the world by sailboat.They have found a nice sailboat: Robert has paid his part but Jean-Jacques needs to sell a ground in the Soth of France.And also Jean-Jacques needs to speak with his wife Carole about this trip around the world with Robert.Then begin all the difficulties and impediments.Carole doesn't agree with this and runs away to London.Then one daughter ,Pauline, has problems with her husband and has come back home with her children.So Jean-Jacques becomes a nanny and has to solve all the problems of his daughters, find the money for boat and recover the love of Carole.

The Place of Chimeras(pt)

An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.

Un bain en hiver(fr)

“Our memories are marked by smells. Bound together by their olfactory sensitivity, a daughter leads her father to question his family heritage: together they go through their double mourning, that of a grandmother and a childhood in Algeria. How do you face up to the fear of vanishing ghosts?”